A Quote by Petra Collins
I don't know what I would've done without it. I really struggled in school with reading and writing. Art was my refuge - my way of speaking, of dealing with my own issues and connecting with the world.
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At school I was really heavily dyslexic, so I really struggled academically with reading and writing.
I entered the literary world, really, from outside. My entire background has been in sciences; I was a biology major in college, then went to medical school. I've never had any formal training in writing. So what I know about writing, I know from my own instincts, and whatever the narrative voice is in my own head.
One of the problems in America is that everybody focuses on their own narrow little bit of the problem without connecting punishment and prevention together, without connecting the schools and the police together, without connecting the pediatricians and the social workers together.
I would vote for the man who's lived life, who's done different occupations, who's been out in the real world and struggled to make a living, struggled to raise a family, struggled with life as it exists. So I'd vote for experience, honest experience.
I mean, the piano, of course, but I think the piano should be taught in school just like mathematics, just like reading, writing and arithmetic. I'd say reading, writing, arithmetic and rhythm. But that should be a prerequisite, because then the quality of music in the world at least in the United States, would be much better, if everyone knew something about the piano and about music, they would know this is not good. Right now, there is so much music out that's not good, but no one knows the public doesn't know.
When you are playing someone who is dealing with issues on a really personal level, if you don't bring your own issues into the equation, it's not going to feel really personal to the people watching it.
I do think reading is the best practice for writing, along with writing all the time. I actually never liked writing on my own or in school until I'd had my blog for a while and realized I'd been writing every day for years.
Insensibly he formed the most delightful habit in the world, the habit of reading: he did not know that thus he was providing himself with a refuge from all the distress of life; he did not know either that he was creating for himself an unreal world which would make the real world of every day a source of bitter disappointment.
Traditions cannot themselves, simply with their own powers, do what needs to be done. These earlier experiences and accomplishments were dealing with other issues, providing guidance for different worlds than the world of the early twenty-first century.
I really struggled, growing up, with reading and writing. I had a hard time to do that, but I was really passionate about storytelling and about books.
For me, I was in school and I pushed myself to be a good student, just because that's the type of person I was, but I never had a connection to any of it. I don't think my brain functioned in a way that was at its height, when I was in school. I needed something like art to really value the way my mind works. I wasn't reaching my full potential by sitting in a classroom and reading from a book. My mind didn't work that way.
I really think there's no difference between an art piece made by a man and one made by a woman. Is it a good art piece or a bad art piece? Of course, if you're female, you're maybe dealing with different issues.
None of us older writers had gone through such a school. We are all self-taught. And, of course, there is always, in such a school, the danger of goose-stepping, uniformed ranks. But the Serapion Brethren have already, it seems to me, outgrown this danger. Each of them has his own individuality and his own handwriting. The common thing they have derived from the studio is the art of writing with ninety-proof ink, the art of eliminating everything that is superfluous, which is, perhaps, more difficult than writing.
MEMRI allows an audience far beyond the Arabic-speaking world to observe the wide variety of Arab voices speaking through the media, schoolbooks, and pulpits to their own people. What one hears is often astonishing, sometimes frightening, and always important. Most importantly, it includes the newly-emerging liberal voices of reform and hope, as well as disturbing echoes of ancient hatreds. Without the valuable research of MEMRI, the non-Arabic speaking world would not have this indispensable window.
Drawing creates its own kind of private space. Coupled with certain interests that I want to speak to in my art, it's really kind of a safe haven for me. Creating art is not only a comfort zone, but also a way of speaking to my passions.
I don't think schooling of any sort really prepares you for real life. I don't know if art school would have prepared me to draw comics. Half of the people I know in comics went to art school, half of them didn't. Some of them went and dropped out.
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