A Quote by Petra Collins
When you see stories about women that aren't being told by women, it can make you feel like you don't exist.
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I know there are certain men that hate women or don't like women, and in order to make women feel small, they tend to isolate them when they bully them. And women are often humiliated by it and feel they can't do anything about it. So my advice to women would be: there's always support around for those sorts of things and if you feel you're isolated in any way, or being bullied, you must talk to someone about it.
Somebody asked me earlier if I thought it was really important to tell stories about women's struggles. And I said yes, but at the same time, it's also important to tell stories about women's triumphs, women being slackers, women being criminals, women being heroes.
We need more female directors, we also need men to step up and identify with female characters and stories about women. We don't want to create a ghetto where women have to do movies about women. To assume stories about women need to be told by a woman isn't necessarily true, just as stories about men don't need a male director.
I don't think that there's a target audience at all. These stories were in circulation. The stories were told by men, told in the marketplace by men, but also behind doors by women, but there's no real record of this. It's likely they were told by women to children in their interior rooms. The story could be a negative story, they could be presented as a, "Watch out! Women will get round you, do things to you, weave you in their toils." It could be buried in it an old cautionary story about women and their wiles.
Marjan. I have told him tales of good women and bad women, strong women and weak women, shy women and bold women, clever women and stupid women, honest women and women who betray. I'm hoping that, by living inside their skins while he hears their stories, he'll understand over time that women are not all this way or that way. I'm hoping he'll look at women as he does at men-that you must judge each of us on her own merits, and not condemn us or exalt us only because we belong to a particular sex.
At the beginning of my career, a more senior photographer told me to shoot stories on women and I didn't want to. But I spent two and a half years in India and chose to do stories about women because I was shocked by their treatment. My stories in the Middle East and on the border of Europe and Asia were a response to my time in India. They weren't driven by a feminist idea but when you're moved by women's issues in these countries you can't help becoming a feminist somehow.
Even if I wouldn't wear something myself, I think I know how women feel, how women want to look. I can really relate to women, I get on very well with women... Some women don't. I want to empower women, make women feel the best version of themselves.
I have been watching how Indian women are forced to do certain things, as the stories of sacrifice and devotion in mythology demand from them. And then there are inspiring stories about women like the Rani of Jhansi that offer women refreshing role models.
I think it's pretty obvious that women's stories are not necessarily being told in Hollywood and women are not necessarily being put in the leadership positions they deserve in mainstream film.
Why do magazines do this to women? It's all about creating insecurity. Trying to make women feel like they're not good enough. And when women don't feel like they're good enough, guess what? Men win. That's how they keep us down.
I think there's so many points of view that you want to make sure your stories are being told from men and women... you get all of the different backgrounds. You don't want every story being told from the same point of view. So just for better storytelling, I'm like, 'Yes, please, bring some more ladies on.'
The makers love to show women being oppressed, and the audience also loves watching these stories. I'm sorry to say, but a large portion of the audience that watches these shows are women. They make women cry and abuse in the shows and women audiences are glued to such plots. I don't understand this syndrome.
I think a lot of women who are celebrities and who are very beautiful have terrible problems with their men being very controlling. Women allow themselves to be dominated and controlled by men in all sorts of other ways that are very complicated, you know? I don't really see a lot of women engaging in discussions about the struggles and power relations with men and their lives, like their bosses, boyfriends, husbands, coworkers. I don't see that happening very often, whereas I see a lot of misogyny on the internet. I see a lot of hatred towards women and a lot of fear of women.
What I like about the '60s movies was that they were about women. They were telling women's stories. I think a lot of movies don't tell women's stories anymore.
I try to make films where the audience forgets the filmmaking and gets engrossed in the story as it unfolds. I don't want them to ever feel bored, or that they're being told what to think, or to feel depressed. I don't like films about victims - I want to celebrate brave survivors like Brenda and the wonderful women in the film.
If you go to a network and say, "I wanna do prison stories about black women and Latino women and old women," you're not gonna make a sale. But, if you've got this blonde girl going to prison, you can get in there, and then you can tell all the stories. I just thought it was a terrific gateway drug into all the things I wanted to get into.
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