A Quote by Petra Collins
When I was 16, I created this online platform for female artists. I messaged women who I loved; that's how I got work and connected with people. You don't need to plead for entry into a system that doesn't want you anyway.
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I didn't see spaces where female artists could exist and exhibit their work. So I created a platform for this - one that allowed our works to be seen, but to also weave a community of women that could lean on and work with one another.
People ask why there are so few female artists who succeed. It's because women are not ready to sacrifice as much as men. Women want a man, they want a family, they want to have children, they want to be loved, and to be an artist. And they can't; it's impossible.
Every episode of 'The Conversation' was created to be a platform for women, to connect women, and to allow women's voices to be heard as much as possible. That's why I launched that show on a television network and online simultaneously.
I think that I'm going to be including a lot of anonymous female artists in what I look at and incorporate. Most textiles are created by women. Generally, most stuff that's not in the canon is created by women.
I came at a time where male artists where dominating, so I had to do something quick to get people's attention. I wanted to let people know that women artists can hold their own compare to the men. Sex got their attention, while I open the road for the other female artists.
I love knowing and learning about people around the world displaying my art online. Also, it's how I learn about new artists that are in various parts of the world. The positive thing about Tumblr and Instagram is that they're a fantastic platform for art lovers. I also like, when I search for my art and it says, "see also or related artists," and I see those other artists that relate to me, at least according to the internet. I think it's fascinating - it's interesting to see hashtags people are using in relation to my work. It's another tool of communication.
As conscious adult women, we need to instill a different value system. Actually, it is an innate value system. We need to tell the world that being compassionate about other people does not make you weak, and it is not intrinsically a female trait. It is a trait of the evolved human being, and it is a trait that we need to hold up as something of great worth. As women, we need to promote that, emphasize that, and nurture that. This is part of what we are doing with Global Girl Media.
We throw at female artists this expectation that their work has to speak to the female experience. And if it doesn't, you're letting the side down. Throwing this stumbling block in the way of female artists is counterintuitive.
We need more female directors, we also need men to step up and identify with female characters and stories about women. We don't want to create a ghetto where women have to do movies about women. To assume stories about women need to be told by a woman isn't necessarily true, just as stories about men don't need a male director.
The platform that we have created here in Tottenham is the most important, the platform we created between all the coaching staff - in the academy and the first team. The platform we created is more important than one person.
We created #BlackLivesMatter. We created a platform. We used our social media presence online in order to forward a conversation about what is taking place in black communities.
I was one of the lucky people who found what I loved at a really young age. When I was 16, I got my first job in a Portuguese soap opera, and I realized how much I really loved it.
Female directors really do need to support each other. Too many times I've been led to believe that my direct competition was other women, as if there can be only a handful of successful female filmmakers a year. That conversation, that perception, needs to change. Women are the people who have helped me make films I love, and I want to be that kind of strength to other women.
That's the only interaction I have with people, those talking shows. Most of the people in my phone book are artists, management, producers, engineers. I don't ever call people with, "Hi! How are you?" I say, "How are you? Do you have that 16/30 ready? When do you want me to come into the studio?" That's what I do.
I think online is a better platform. If you look at the metrics, if you look at the delivery system, if you look at social - all of the things that online can do - TV can't compete.
Broadband eliminates so many barriers to entry for so many different people that it's actually become a barrier to entry in and of itself if you're not getting online on a regular basis.
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