A Quote by Petra Collins
There's definitely a romanticism of youth, like, everywhere. Specifically with women, they kind of only exist between the age of 15 to 25.
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Crabbed age and youth cannot live together; Youth is full of pleasure, age is full of care; Youth like summer morn, age like winter weather; Youth like summer brave, age like winter bare. Youth is full sport, age's breath is short; Youth is nimble, age is lame; Youth is hot and bold, age is weak and cold; Youth is wild, age is tame. Age, I do abhor thee; youth, I do adore thee.
When the Holocaust happened, I was 15 years old. My parents kept it a secret from me, despite belonging to the Red Cross. I only found out about it much later. Even today I still feel guilty, because I was an ignoramus between the age of 15 and 25. I am sorry I couldn't stand up for them.
Youth is full of sport, age's breath is short; youth is nimble, age is lame; Youth is hot and bold, age is weak and cold; Youth is wild, and age is tame.
We design for a whole range of ages and body types, and we always have done. What's great about us is that the common thing that they all like is an accessible eccentricity of an accessible flamboyance, and I think the super thing about that, it isn't age-specific: you're not only dressing 25-year-olds; we're dressing women from 25 to 65+.
Age is a state of mind. Youth and age exist only among the ordinary people. All the more talented and exceptional of us; are sometimes old, just as we are sometimes happy, and sometimes sad.
If age, which is certainly Just as wicked as youth, look any wiser, It is only that youth is still able to believe It will get away with anything, while age Knows only too well that it has got away with nothing.
There is this difference between the grief of youth and that of old age; youth's burden is lightened by as much of it as another shares; old age may give and give, but the sorrow remains the same.
Films have never shown the kind of relationship that can exist between two women.
A perpetual conflict with natural desires seems to be the lot of our present state. In youth we require something of the tardiness and frigidity of age; and in age we must labour to recall the fire and impetuosity of youth; in youth we must learn to respect, and in age to enjoy.
I had a real come-to-Jesus a couple of years ago when I started to see the direct line between feminism and everything else - feminism and climate change, feminism and poverty, feminism and hunger - and it was almost like I was born again and started walking down the street and was like, "Oh, my God, there are women everywhere! They're just everywhere you look. There's women all over the place!"
I mention my age because I find people in this country - women, not men, of course - women are so troubled by their age. There's a culture of youth, and it's a phony culture.
There was a time when, for anybody between the ages of 15 and 25, music was one, two and three.
I had been struck by the analogy between neurosis and romanticism. Romanticism was truly a parallel to neurosis. It demanded of reality an illusory world, love, an absolute which it could never obtain, and thus destroyed itself by the dream.
Many companies don't exist after 25 years. It's a rarity. Or if they do exist, they're like IBM, with a totally changing personality.
My vision of punk rock was these dudes who were spitting on the audience and moshing. That's why I kind of left that scene. Then I see all these people around my same age or between 17 and 25 that were making music themselves in their own town. They weren't just singing, but creating. I see them putting out this music where there are tons of women involved in the scene and involved in the bands.
The one thing about me, if it is a 15-minute fight, I'm fighting every one of them 15 minutes. And if it's a 25-minute fight, I'll be fighting all 25 until the bell rings.
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