A Quote by Petra Collins
I think being collaborative is definitely more natural for people who are minorities in any sense - so people who aren't, like, white male artists - because we don't have the privilege to create art and work alone, usually.
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There is a privilege in American society to being male and being white, and I think it's hard for white males to understand that privilege, because we've never experienced the opposite. When I sought out mentors to try to move forward, there were white males in virtually every position from which I was seeking mentorship. There was a natural simpatico or natural comfort. And so if you believe that's true, and I believe it's true, then we have to change that. We have to try to equalize opportunity and privilege.
White privilege is the unquestioned and unearned set of advantages, entitlements benefits and choices bestowed on people solely because they are white. Generally white people who experience such privilege do so without being conscious of it.
All power within the microcosm of my world was held and wielded by people who look like me. Plus, I think Nigerians all have this sense that they are better than everyone, including white people. So I have the privilege of a certain distance. It may just be that. So in a sense, I can't claim that as any ability that I have, simply a matter of circumstance.
As a white male in America, I have privilege. As a white male who happens to be an artist with a fan base, I have a platform to spread awareness about that privilege. However, songs about race and privilege are very difficult to A) write and B) dissect as a listener. They're heavy.
People act like art is a white thing - or not for people of colour - when, really, so much culture and art comes from people of colour. I want everyone to get into what I am doing. So sometimes I don't like to work just in an art context because it feels like a lot of people aren't going to see it. I like it to be a part of everyday life.
I read something in the paper that really confused me the other day. It said that 80 percent of the people in New York are minorities. Shouldn't you not call them minorities when they get to be 80 percent of the population? That's a very white attitude, don't you think? I mean, you could take a white guy to Africa and he'd be like 'Look at all the minorities around here! I'm the only majority.'
People think because it's photography it's not worth as much, and because it's a woman artist, you're still not getting as much - there's still definitely that happening. I'm still really competitive when it comes to, I guess, the male painters and male artists. I still think that's really unfair.
Many white people sense that they are being blamed for the sins of white slave owners and imperialists merely through some lineage of ethnicity. Activists' constant stress on white privilege can lead to an unhealthy defensive posture of white victimhood.
I'm obviously a white woman with privilege. I want to make sure I always collaborate with people who aren't like me so we can create a work that isn't one dimensional.
I paved the way for a lot of white artists now that don’t have to deal with the stigma of being a white artist. I don’t think that people would be as open for non-African American artists like that if it I didn’t take a lot of the slack for them.
I think that if I was a white male people would get me more. I do. I think that. I think a lot of things would make more sense if I was a guy and if I had people supporting me and saying this is the greatest thing in the world.
I think white artists have a responsibility to be not only naming white supremacy, but to be using their power and privilege to support artists of color.
When you work with people and are friends with them also, you have more of a shorthand. I think people relax more and it opens the door to being less precious and trying things that, when you're shooting and writing, it becomes much more collaborative - therefore funny, hopefully.
When I was younger, definitely getting people to listen to me and believe in me. I think it's hard when you're a young girl in a record label full of male urban artists, which is definitely what Atlantic Records was and still is. Also, getting people to trust a young, female pop star that doesn't just want to be puppeteered was definitely a challenge for me.
Being 'out and proud' can feel like a real luxury of Western culture, where people are often white and see existing white gay people in their culture. That's a kind of privilege people don't know they possess.
People tend to work in teams, in a collaborative way, in an informal network. If you create an environment like that, it's much more effective and much more efficient.
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