A Quote by Petra Collins
I'm obviously a white woman with privilege. I want to make sure I always collaborate with people who aren't like me so we can create a work that isn't one dimensional.
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I don't know what's in store for me, but I know that I want to create work, and I want to create an environment where I can bring in my favorite people and collaborate with them, and do something that is so much weirder and so different from what you'd see in commercial film.
I think being collaborative is definitely more natural for people who are minorities in any sense - so people who aren't, like, white male artists - because we don't have the privilege to create art and work alone, usually.
[The Women's Room] is very much a white woman's piece of fiction, for sure. But for me, as a white woman, I related to a lot of it and continue to as I've gotten older, and especially at this moment in time, I want to read it again.
I always try to make everyone mellow down, make sure everybody's happy. The people I have employed have always kind of stayed with us. A lot of people who come to work for you are artists in their own right. And they want to work for you because they want to pick something up.
If your white privilege and class privilege protects you, then you have an obligation to use that privilege to take stands that work to end the injustice that grants that privilege in the first place.
I feel like 'Work' was a really good song for people to get to know me, as it's obviously biographical. With 'Bounce,' I wanted to make sure people know there's a fun side to me as well as the somber and serious one.
I always tell people is really make sure you know why you want to do it. For me, I didnt make a conscious decision like "Oh I want to be a singer", it was like I grew up around it, I was singing because it was just natural for me to sing.
White privilege is the unquestioned and unearned set of advantages, entitlements benefits and choices bestowed on people solely because they are white. Generally white people who experience such privilege do so without being conscious of it.
When you're with somebody as iconic as Mick Jagger or John Fogerty, I'm really aware that, in asking these guys to collaborate with me, I don't want to add a footnote to their career that's like, 'Shouldn't' have done that.' It's important to make sure that they're well represented.
Some people say they're retired and it means they have time to do things they want to do. I have always had the privilege to engage in my hobbies as if they were work. And they are. So hobbies are work, but work that you want to do; they are play. Retirement? That sounds like you're going to passively walk into the sunset and disappear.
You are a white. The Imperial Wizard. Now, if you don't think this is logic you can burn me on the fiery cross. This is the logic: You have the choice of spending fifteen years married to a woman, a black woman or a white woman. Fifteen years kissing and hugging and sleeping real close on hot nights. With a black, black woman or a white, white woman. The white woman is Kate Smith. And the black woman is Lena Horne. So you're not concerned with black or white anymore, are you? You are concerned with how cute or how pretty. Then let's really get basic and persecute ugly people!
It's like do White privilege exist? Absolutely. In the case of passing judgment, you have to make sure that you're passing judgement on the right person.
I never want to make videos with people who don't want to make them with me. I don't want to force people to take part. Only people who want to collaborate. And that's important because otherwise, the videos wouldn't work. Them choosing to take part is very important to the videos.
Every time I embrace a black woman I’m embracing slavery, and when I put my arms around a white woman, well, I’m hugging freedom. The white man forbade me to have the white woman on pain of death... I will not be free until the day I can have a white woman in my bed.
When I find those actors who are going to work that hard and collaborate that deeply, my role is to make sure there's a whole lot there for them to work with.
There's always a pattern in order to make a thing, but the starting point must be something I've never seen before. It's not two-dimensional, but it's like a sample. I work with patterns like a sculptor. I try to get [the team] not to work on a body, [but] to work on a free space, on a table. The work is basically on flat surfaces.
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