A Quote by Petra Collins

On film, you really have to focus on what you're looking at. You're imprinting a physical image. — © Petra Collins
On film, you really have to focus on what you're looking at. You're imprinting a physical image.
I bristle a little when the argument for film gets put into the nostalgia ghetto. Film is still the highest quality and best-looking image capture medium available. I don't think it always will be. The digital image will get better, and it will eventually surpass the quality of the film image, but it isn't there yet.
With no object no image and no focus, what are you looking at? You are looking at you looking.
Learn to overcome the imprinting that you now have and gain a new and higher imprinting that will lead you into the luminous spheres of awareness.
I was thinking about how we're so in touch with our image now. That conception of ourselves, in a very physical sense, can be oppressive. You find people wanting to be in dark places, not really see themselves, see themselves as a filtered image. A curated image.
One, who studies the ways of power, seeks to end the imprinting process because in imprinting we loser power, we lose attention; we are formatted to do certain things.
We need a new imprinting. We need the imprinting of enlightenment, of freedom. That comes through our association with a higher being. So classically what occurs is that one meets a teacher.
I like creating these moments where there's this dichotomy between something that repels you but is still so attractive that you can't stop looking. You still want to acquire it; there's still that level of aspiration for the image of the figure or the person you're looking at. when you look at the work there's this, "Oh it's really beautifully rendered!" or, "I love those beautiful tones." There's some aspect that's really attractive but the image itself could be slightly distributing.
The image of a bedsheet ghost standing all alone in an empty house was something I was obsessed with. I really wanted to make a film about that image, and I was waiting for the right story to come along. When it did, I did my best to honor that image.
This is the funny thing about Skype. No one is really looking into the camera. People always looking down because they're looking at the image. You wish the camera was there in the center.
The Church as a divine society possess an internal principle of life which is capable of assimilating the most diverse materials and imprinting her own image upon them.
Love is the biggest eraser there is. Love erases even the deepest imprinting because love goes deeper then anything. If you childhood imprinting was very strong, and you keep saying: "It's their fault. I can't change," you stay stuck.
I used to be a die-hard defender of physical film, which I still am. I love shooting on physical film and I think it's great.
One of the reasons I did this, because I wasn't really looking for another science fiction film, was that my daughter can see it. She's 9 and it's really a good film for all ages.
You have to strike a balance between imprinting the film with your voice, and trusting these amazing, talented people you've hired to do great work.
The whole thing that drew me to doing an animated film is that you're freed from the physical limitations of your physical body. All of a sudden, you get to be something that has nothing to do with the fact that I'm a 6'4", lumbering dude, and that is really exciting.
The person who has a highly evolved will they think, they build an image and they focus on that image.
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