A Quote by Petula Clark
There are definitely people who are stuck in the '60s and there are definitely people who think I am and it's just not true. I was performing for a long time before the '60s and I'll be doing exciting interesting things for along time to come.
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I think '60s are appealing to creative people, because it seemed to be a time of endless possibilities, when the boundaries of what could be considered popular culture were being expanded almost by the week. It doesn't feel like that anymore. At times, I wish it were so. Radio is a perfect example; good God, I mean, back then the most interesting songs were also hits, and that's just not true anymore. It hasn't been true in a long time.
I lived in France during the '60s. I was there from the early '60s until 1970, so my view of the '60s is more global. It was a time of tremendous transition, not only for America but for the whole world.
I seem to be stuck in the '60s, and my favorite music, cars, and women's fashion come from that era. And the sense of social rebellion. It was a good time for a lot of things.
The reality is that the overwhelming majority of women are working and they're going to be part of the labor force for a long time. While they may choose to take time off, they're doing things that women in '60s weren't doing.
I've always felt like if I was going to be born any other time that it would be during the '60s or definitely during Woodstock.
No matter how many times people say it - 'Oh, I'm just writing this for myself' 'Oh, I'm just doing this for myself' - nobody's doing it for themselves! You're doing it for an audience. So whether I'm performing or writing a book or playing music, it's definitely to be put out there and to be received in some way, definitely.
I think somehow people should be encouraged to think about a very long time horizon and I think this is true for businesses, it's true for governments and it's true for people doing things in the non-profit sector.
I definitely appreciated '60s music. My uncle and I used to take long road trips to visit my grandmother when I was going to NYU. We'd listen to Petula Clark and other 60's music and sing at the top of our lungs the whole time.
There's definitely more to life than just basketball. You can touch, interact, talk to a lot more people and do a lot more things. At the same time, I think some of those things are interesting.
It's something that I feel every young person goes through, this idea that they're not doing enough, or that they're stuck. Definitely when I was in high school I was like, 'What am I doing here, I want to be an actor, instead I'm just stuck at school and I'm not doing anything.'
There's a big difference, as I'm sure you know, it's a slightly manneristic one, between people of the '60s and people of '68. Being a soixante-huitard - it's so nice to have a French word for it - is very different from just having happened to been a baby boomer in the '60s.
I think it's true about people now being closer to their parents, since the '60s, really. The parents are no longer from a different planet, the 1950s ideas of American family. We could be friends with our parents. After the '60s, it wasn't like a person smoking pot was what the parents would be appalled at.
When I went to school, it was right after the '60s and before this general wave of practical purposefulness had set in.... The idealistic wind of the '60s was still at our backs, though, and most of the people I know who are my age have that engrained in them forever.
My connections and roots to this land of Australia - the sea, the reefs, the sky, the stars - come from a time and place that existed long before basketball was invented, and definitely long before the Boomers program was created.
I wouldn't change a thing in my own life, but I'd like to go back in time anyway though, just to some eras that I wish I'd lived in, like the '60s. I'd love to have been in London in the '60s, partying away.
I definitely prefer things to be dark, I definitely prefer things to not be particularly obvious. I like a lot of mystery in music, and I like it when things don't sound just like what they sound like always. But at the same time I like everything to sound very earnest and honest. So I don't really think that I have a definite stamp, but if people see that, that's awesome.
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