A Quote by Peyton List
When I got the offer to be a Bongo girl, I was so ecstatic, I couldn't believe it.
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I've decided with the full agreement of my wife Sylvia Bongo Ondimba and my children that my share of the inheritance will be shared with all Gabonese youth because in my eyes, we are all heirs of Omar Bongo Ondimba.
When I was little, I wanted to be a Bongo girl and be an actress - I am living my dream. It's just awesome.
Norah Jones is a breath of fresh air. Norah Jones can sing and play. She's got some talent. I was totally ecstatic that that girl got noticed, because she's wonderful.
I remember growing up and seeing Vanessa Hudgens' Bongo campaign in magazines. I think I probably put a few of her posters on my wall, to be honest. I wore Bongo growing up, as did my older sister - I would get her hand-me-downs as well as my own new pieces when I went shopping.
Pop managers are fixed in the dramatic stock character repertoire too, ever since the first British pop film musical, Wolf Mankowitz's 'Expresso Bongo' of 1959, with Cliff Richard as Bongo Herbert and Laurence Harvey as his manager. The key components were cast as X parts gay, X parts Jewish and triple X opportunistic.
The problem is, I don't think I've got too much to offer at the minute. I'm busy working on myself. This sounds like real therapy talk, but it's like, you've got to be happy with yourself before you can go out and get yourself a girl.
The basic paradox about sex is that it always seems to be offering more than it can deliver. A glimpse of a girl undressing through a lighted bedroom window induces a vision of ecstatic delight, but in the actual process of persuading the girl into bed, the vision somehow evaporates.
I have no idea what a high school party looks like. I was just with my friend, and we were walking down Venice and there was this gathering of people playing Bongo drums, and so after dinner we sat down with them and played Bongo drums for a while. That's the closest thing I've gotten to a high school experience, meeting strangers and just hanging out with them.
Ecstasy is our very nature, not to be ecstatic is simply unnecessary. To be ecstatic is natural, spontaneous. It needs no effort to be ecstatic, it needs great effort to be miserable. That's why you look so tired, because misery is real hard work; to maintain it is really difficult, because you are doing something against the nature.
As a driver, you've always got to believe in your heart that you've got what it takes to win it. You've always got to believe in yourself. You've always got to arrive on the day and believe it can happen. You've always got to believe in the positives.
I've come to really believe that I have something to offer as a filmmaker, that goes beyond what I had to offer as an actress and maybe this is what I'm meant to do.
Nobody is more individual than you, so be confident with who you are and what you have to offer because everybody has got things to offer.
I still can't believe I'm the girl who got to play Fantine.
I got to meet Colm Wilkinson once, and I was ecstatic.
I got an offer in 1992 to buy a major-league team. I turned down the offer because I don't want my love of the game to involve business.
When I was told that the girl I play in the song 'Kamariya' will be from Bhopal and very rural but with spunk, I was up for the challenge and felt really ecstatic that I was donning an entirely new look.
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