A Quote by Peyton Reed

'A Face in the Crowd' is Elia Kazan's forgotten movie. — © Peyton Reed
'A Face in the Crowd' is Elia Kazan's forgotten movie.

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The movie I've watched a million times is 'A Face in the Crowd,' directed by Elia Kazan, starring Andy Griffith and Patricia Neal. I first saw this movie, I guess I was in my early 20s. I'd never heard of it, and somebody told me about it, and I watched it and was just completely jaw-droppingly shocked at how current it was.
Elia Kazan. He wrote my favorite book about filmmaking, 'Elia Kazan: On Directing.' There is a thing in the book that I do every time, it's part of my production structure. He said when you're hiring an actor, ask them what draws them to the project, and don't lead them to the answer.
I met my wife and, for the next ten years, we did no films at all. She did the first movie and then I did several after. My first movie was written by Tennessee Williams and directed by [Elia] Kazan and was called Baby Doll.
My best film composing experience was with Elia Kazan.
Warren [Beatty] loves to talk about his experiences with [Elia] Kazan.
Elia Kazan - the films he made were such a big deal for me when I was growing up.
I trained as an actor with Lee Strasberg, Elia Kazan, and Harold Clurman, and those guys set a very high bar.
I forgive 'Face in the Crowd' its uneven tone because it's precisely what makes it feel unlike other Kazan movies.
I studied with Strasberg, Elia Kazan. They raised the bar. They weren't easy to please, and they made you achieve the best you could do. That's what a teacher does: he infuses you with passion for something.
I have a bit of an obsession with the 1950's and all those actors from Montgomery Clift to James Dean and Anthony Perkins. Just that whole era of Tennessee Williams to Elia Kazan.
Elia Kazan understood my problems. He was able to bring out the very best in me. He gave me credit for my intelligence.
Subliminally, I had always wanted to act. Although I had only performed in a couple of plays, I was serious about it and was subsequently trained by people like Lee Strasberg and Elia Kazan.
[Warren's Beatty] first film being with this very important director [Elia Kazan], I think we related on that in a big way. And I just was genuinely curious about his experiences in film, and about the people he knew.
My heroes are guys like Frank Capra and Elia Kazan and Coen brothers and Terry Gilliam, more so than a lot of bass players at this point in my life. So I've always been an old-film nut and have very much enjoyed doing videos over the years.
I got into a brawl one night in a saloon in Greenwich Village. Elia Kazan, a great director, saw me put out a couple of hecklers and figures there was some Big Daddy in me, just lyin' dormant. And out it came. People still do call me Big Daddy, but to me, inside, I'm no Big Daddy at all.
For example, how you would introduce a leading character into your film, and as an absolute ingenious example, [Elia] Kazan in his film Viva Zapata!, how he introduces his leading character Marlon Brando into the film. No film ever did it as wonderful as he did it.
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