A Quote by Phan Thi Kim Phuc
Behind that picture of me, thousands and thousands of people, they suffered - more than me. They died. They lost parts of their bodies. Their whole lives were destroyed, and nobody took that picture.
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You can't tell the story of the thousands of people whose lives were destroyed by Bernie Madoff because there are thousands of stories. What you can do is to start inside, and that's the picture that you do, which becomes like a Greek tragedy in that regard - that whole collapse.
One time a guy handed me a picture. He said, 'Here's a picture of me when I was younger.' Every picture is of you when you were younger. 'Here's a picture of me when I'm older.' 'You son of bit, how'd you pull that off Let me see that camera. What's it look like'
Most of the time the ones who dislike the pictures the most confirm to me that the picture has hit home and is probably truer than I know. Nobody minds a boring picture, they mind a picture that has gotten to the soft core.
Formerly pictures used to move towards completion in progressive stages. Each day would bring something new. A picture was a sum of additions. With me, picture is a sum of destructions. I do a picture, then I destroy it. But in the long run nothing is lost; the red that I took away from one place turns up somewhere else.
Violence only perpetrates more violence, and it becomes a vicious cycle. There are political situations all over the world where there are untold acts of revenge for incidences, and thousands and thousands of lives are lost because of them.
I believe in books. And when our people [coughing] - our people of Jerusalem, let's say after the Romans destroyed the temple and the city, all we took is a little book, that's all. Not treasures, we had no treasures. They were ransacked, taken away. But the book - the little book - and this book produced more books, thousands, hundreds of thousands of books, and in the book we found our memory, and our attachment to that memory is what kept us alive.
Playing live was always definitely a lot more fun. You picture it: working alone in the studio eight or 10 hours a day with nobody else there, being frustrated and driven crazy by all of the things that you have to deal with, vs. thousands of people screaming and singing along with you playing.
And I told you: I think of a photograph you took of me, up in Montreal. You told me to jump in the air, so in the picture, my feet are off the ground. Later, I asked you why you wanted me to do that, and you told me it was the only way to get me to forget about the expression on my face. You were right. I am completely unposed, completely genuine. In my mind’s eye, I picture myself like that, reacting to you.
It's not Comic Con any more. It's this huge marketplace for the motion picture and television industry. And the toy manufacturer's and the game people. One of the problems with International Comic Con is that tickets go on sale for the next year's event and the place is full of thousands and thousands of kids who have scraped together every dime to get admittance because they want to get all the freebies.
Lots of the free world has become weak. When you look at Brussels, when you look at the way they've handled things from law enforcement standpoints, when you look at Paris, when you look at so many other places, no, it's not. But neither is the United States a safe place, because we're allowing thousands of people to come in here. Nobody knows where they're from. Nobody knows who they are and they're coming in here by the thousands. And let me tell you something, we're going to have problems just as big or bigger than they've got.
If you want me to explain the picture, if you put it in reality, then the mystery goes away. The situation just catches you and you think it is absurd or mysterious and you just take the picture. You dont want to see the bare reality of what happened. I took the picture as the picture, not as the realistic story of what happened.
For me, the subject of the picture is always more important than the picture.
I will be so glad to take the picture and pose and look good for the picture. But when you catch me while I'm looking real sideways and the picture's ugly as hell, I don't want you to have the picture like that!
These days I think the composers of music influence me more than any photographers or visual creators. I see something exciting or lovely and think to myself: 'If Papa Haydn or Wolfgang Amadeus or the red-headed Vivaldi were here with a camera, they'd snap a picture of what's in front of me.' So I take the picture for them.
Thousands of civilians have lost their lives to terrorist attacks inside Pakistan, and thousands more will - because, unlike the Pakistani government, which has no coherent policy to deal with the radicals, the Taliban have one to deal with Pakistan and its citizens.
I looked more widely around me, I studied the lives of the masses of humanity, and I saw that, not two or three, or ten, but hundreds, thousands, millions, had so understood the meaning of life that they were able both to live and to die. All these people were well acquainted with the meaning of life and death, quietly labored, endured privation and suffering, lived and died, and saw in all this, not a vain, but a good thing.
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