A Quote by Pharrell Williams

I'm a producer. I'm a musician. And my job is to come in and, you know, put - you know, I treat all of the artists that I work with, like, you know, the way da Vinci was looking at Mona Lisa, you know, there's an interesting backdrop.
You know, people call mystery novels or thrillers 'puzzles.' I never understood that, because when I buy a puzzle, I already know what it is. It's on the box. And even if I don't, if it's a 5,000-piece puzzle of the 'Mona Lisa', it's not like I put the last piece in and go, 'I had no idea it's the 'Mona Lisa'!'
I went to the Louvre in Paris, and I saw all the paintings and the Mona Lisa. You don't really see something like that every day. I was looking at it, and everything else in the room just shut out. Like, Leonardo Da Vinci painted this thing - this is unreal that he touched that. It had this crazy effect on me.
Da Vinci painted one Mona Lisa. Beethoven composed one Fifth Symphony. And God made one version of you.
I used to always sing my way into the movies and the basketball games or whatever. I'd sing for whoever's on the door, and they'd let me in. I used to think I was Nat King Cole back in the day, you know. So I'd sing something like, 'Mona Lisa, Mona Lisa, men have named you,' and they'd let me in.
Burn the Louvre, and wipe your ass with the Mona Lisa. This way at least, God would know our names.
We look at the Mona Lisa and say we're going to do our version of the Mona Lisa. We mirror it. But exaptation would say that painting the Mona Lisa would lead to a whole new place... Bugs Bunny.
I love the way the Victorians found a way to put faces in everything: you know, furniture and marble and, you know, everywhere you turn around - the banister, you know, there's someone looking at you.
The Mona Lisa, to me, is the greatest emotional painting ever done. The way the smile flickers makes it a work of both art and science, because Leonardo understood optics, and the muscles of the lips, and how light strikes the eye - all of it goes into making the Mona Lisa's smile so mysterious and elusive.
When books come out on religion today, what are they about, well, Noah's Ark or when we go to heaven, does our body or soul go to heaven? What was the name of the book? The Da Vinci Code. Who is seated at the last supper? Well, as brilliant as Da Vinci was, he didn't know anymore about who was seated at the last super if there ever was a last super than you or I or Yogi Berra. Well, no one is bringing anything new to the table.
I wouldn't wanna go out not looking like the Dolly people have come to know, because I've come to know her that way, too.
The interesting artists I know are the ones doing political work. The most interesting people I know are the people who care about politics.
I've made a couple of comments about fame, and my kids are going to be put in - in, you know, working at Taco Bell when they're 16 so they know what a real job is like, and - and know what it's like to - to really earn money.
You never know why or when the next job is coming. I actually like that. It's kind of exciting. I don't punch in. I don't have a 9 to 5 job. When you do work you're lucky enough to go to interesting places and meet mostly interesting and talented people, so it's really a great job if you can work.
I have to put myself back in the audience's shoes and figure out what they would know and not know. But, there are also times when I do know what's coming up and I maybe need to hint at it, though not in a big way. It's a little bit of both. It's an interesting tightrope to walk.
It is not enough to deface the Mona Lisa because that does not kill the Mona Lisa. All art of the past must be destroyed.
I don't like movies that are shot on green screen much, you know. I mean, I know that's the thing to do, and I know that it's getting. I'll put it this way; David Lean would probably kill himself, you know, again if he knew that people were watching Lawrence of Arabia on a telephone.
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