I really enjoyed Eddie Bracken. He told me a great story. He did The Odd Couple on Broadway, replacing Art Carney, and he said, "Art Carney did it for six months and I did it for three years, and I don't think anyone I've ever spoken to saw me. They all saw Art Carney."
Jackie Gleason said that comedy is the most exacting form of dramatic art, because it has an instant critic: laughter.
You can compare Fred and Barney Rubble with Gleason and Carney.
I wound up signing to RCA Victor as a trumpeter, guesting on shows like Jackie Gleason's Honeymooners.
How could you get angry with Jackie Gleason?
It's a mixed crowd at the dogs - black, white, hispanic - but to Walt they all look like Jackie Gleason. Heavyset guys with big plans and polyester souls.
The martial arts that I got into was because of Bruce Lee and Jackie Chan, because of all of the animal styles at the time. It was around about the time when Jackie was doing 'Drunken Master,' and, like, Snake versus this and that.
It was a bit of a lark when I agreed to do [Smokey and the Bandit], and I knew we'd have fun if we could get Jackie Gleason.
Gleason became like a mentor of mine. I had Gleason helping me on television, Godfrey on radio.
One take, so you better be ready and you better be good. One take and that was it. It was something that was spontaneous. Both Sid Caesar and Jackie Gleason was like that as well.
What makes a comedian has nothing to do with religion. Think of Red Skelton, Jimmy Durante, Jackie Gleason, who were all Catholics.
In terms of comedians, I loved, growing up, Jonathan Winters, Sid Caesar, Jackie Gleason, Phil Silvers, Carol Burnett, all those people.
Things that make me laugh range from a wonderful stand-up like Jerry Seinfeld, Louis C.K. and Chris Rock to my son Gabe, who does great improv work. I also look backwards to the great comedic actors like Jackie Gleason, Paul Lynde and Phil Silvers.
I used to watch the 'Jackie Gleason Show' and Phil Silvers, those early TV things. And a lot of them were patterned on the silent comedies of the '20s.
While prepping 'Smokey,' I saw a picture in a magazine of a Pontiac Trans Am that gave me a product placement idea. I could picture Burt Reynolds behind the wheel with Jackie Gleason on the chase. I called Pontiac and asked if they would like to have the car in the movie.
I loved when my dad was home. He liked to sit in the living room and watch boxing and baseball on TV. Or he'd be tinkering around or listening to records by his musician buddies - George Shearing, Oscar Peterson and the Jackie Gleason Orchestra.