A Quote by Phil Anselmo
With this LP we were all very clear on the approach we wanted to take, which was to do something heavy, but also experiment with a lot of other things we really like.
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I also wanted to do something that I hadn't really seen in almost any black novels, which was a complex love story in which both people were extremely intelligent and talented and understood a lot of things and were still at odds getting it together.
'Heavy Rain' responded to a period of my life, things I strongly believed in, things I wanted to suggest or experiment with. I'm really happy with the overall feedback; the reception was a success.
[ Age Of Trump] was something that I really wanted to do, and I also really wanted it to feel evergreen, so we made a lot of attempts not to bog it down in the campaign fight, even though we were right in the middle of that. I wanted it to be something that could live on and be a conversation piece long after this inauguration, whoever it was going to be.
I wanted to be different and original but still have it be something my fans could get into. There also are some big, beautiful ballads. I told my producers that I wanted tracks that are going to blow up in the clubs, but I also wanted songs that were very melodic and with a lot of instrumentation.
Sometimes I will give some very vague directions to the designer that I'm working with on a particular project and they'll come back and surprise me with something that really shows a lot of their own 'hand' in it. Other times I'll have a really clear idea about how I want it done and I'll draw it out pretty precisely and say 'make it look exactly like this' and it will be something where it looks like I can say it was 'fully my design'. The work can also range between the two.
People can get too heavy and it's just about being heavy, which means there isn't a whole lot of art in that; it's more mechanical. Just always keep in mind that melody is what makes something memorable and if you take that out of the equation then you may have something that's technically played very well, but you still can't lose sight of the song.
A lot of it was really, really fun, but at some point, things started getting weird. We didn't allow each other to breathe. We didn't really have a sense of ourselves individually. We were very insecure... We were really threatened by the thought of 'Oh my God, what if someone goes off and does something outside the band?'
I knew from a very young age that I wanted to be in that world. But I also understood that being a touring musician meant that you'd be gone a lot and that was going to make other things a lot harder, like having a family.
I've done a lot of dramas, and I've done a lot of serious stuff - some really heavy stuff... which I loved, but I wanted to do something light and airy. I think the challenge for an actor is always to see which parts of you you can explore and go have fun with.
The whole first movie [Twilight] was pretty fun. I had never really done a movie like it, when there's such a big cast of people that are around about the same age. Everyone didn't really know what was going to happen with the movie, but there was a good energy. There was something which people were fighting for in a way. They wanted it to be something special. Also, none of us were really known then as well.
I think that Russia was like a lot of other countries, a lot of empires, in being a tyranny up until the early 20th century. Then Russia had something that no other country has had, which is the longest totalitarian experiment in history.
In some circles where very heavy people think they have very heavy brains, words like "charming" and "clever" and "pretty" are all put-downs; all the lighter things in life, which are the most important things, are put down.
As people, [my parents were] very colorful, very talkative, passionate, they really loved each other. But that also meant heated, it meant there was a lot of drama in the house. Which is good for a filmmaker, I think.
There’s a lot of things wrong with this country, but one of the few things still right with it is that a man can steer clear of the organized bullshit if he really wants to. It’s a goddamned luxury, and if I were you, I’d take advantage of it while you can.
I don't think I made it clear where I was mentally when I appeared on 'X Factor.' There was so much pressure and a lot of judging. But I wanted to take a chance on the show because I wanted to make something of myself. 'X Factor' seemed like the only way out.
I emcee how I feel for the moment. I'll always be influenced by Tribe, but my EP and LP have a lot of different flavors! I'll keep it vintage Tribe if Tribe decides to do another LP... which, in my heart, I'd love to do for the fans.
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