A Quote by Phil Anselmo

You gotta look beyond the mainstream... the mainstream'll drown you, you know? There's always a pulse in the underground that I love. And the pulse in the underground is what keeps heavy metal alive.
There's always going to be a fight between mainstream and underground because the mainstream is a very small bubble, and the underground scene is a very small bubble, and they both see themselves as secret societies.
There's always going to be a fight between mainstream and underground because the mainstream is a very small bubble, and the underground scene is a very small bubble, and they both see themselves as secret societies. But I never saw it that way. I always thought music was open to all things.
The underground always has the best ideas. Sometimes those underground artists transcend and make it to the mainstream, but most of the time, the big guys just steal from us.
In eras past, mainstream culture was blandly, blindly complacent, so underground music was angry and dissatisfied. But now, mainstream culture isn’t complacent, it’s stupid and angry; underground culture reacts by becoming smarter, more serene. That’s not wimpy—it’s powerful and productive.
Don't rebel against the mainstream only to conform to the underground.
We're making this huge changeover from underground to more mainstream audiences. I don't know if we could ever repeat this type of feeling. We're really excited.
The music I make is very underground-sounding, it doesn't sound like it goes into the charts. It doesn't sound like it's trying to fit into today's style. So I think I have already a vibrating tool to an art form that isn't the mainstream. I'm very outside of the mainstream in my taste of music.
I've worked as a singer in metal bands for over ten years now, so I've definitely kind of put in my time building that underground family, that underground, loyal fan base.
The people definitely shape the two, put stamps and classify mainstream and underground music.
I didn't expect my popularity to be a mainstream thing, 'cause I'd only ever been an underground artist.
I went from the most underground band in the world to signing with Madonna's producer and a record label that is extremely mainstream - it was interesting.
I very much want to inject gay culture into the mainstream. It's not an underground tool for me. It's my whole life.
I see that happening with hip hop purists now. Where you have an artist like a Kendrick [Lamar] or a Drake, who are really trying different things emotionally, different things musically, and on a mainstream level. And you have underground hip hop fans dissing it, for the simple fact that it's mainstream - not because what they're doing is whack, or what they're doing is not sincere.
Coming up as an MC, I took the frustrations of the underground and brought it with me into the mainstream. I know there was a certain complex I had in the beginning that was just a little paranoid or a little...sensitive.
The history of pop is a progression of underground styles going mainstream, so there's nothing unusual about the White Stripes or Franz Ferdinand selling records.
We're not really an underground band anymore, and we're not a mainstream band, either.
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