A Quote by Phil Anselmo

Communication between band-mates is imperative. Communication is the key to any healthy relationship. If I need to be checked, I expect to hear it put in plain words what my faults are, and give my band-mates the ultimate consideration by shutting up and listening, then acting on the advice given. Same goes for anyone else in any band.
Porcupine Tree is a band, and it's not up to me where the band goes - it's between the manager, our agent, and the band as a whole.
Since I was a teenager, I wanted to be in a band with my mates, my pure image of a band.
Since I was a teenager, I wanted to be in a band with my mates: my pure image of a band.
We weren't like mates who decided to form a band. The other three met me because they were interested in being in the band that I was starting.
Any musician in any band - for a really good band - you know your part in the band.
I don't think anyone can relate to me as well as my band-mates can.
I was in a rock band; I was my own folk singer; I was in a death metal band for a very short time; I was in a cover band, a jazz band, a blues band. I was in a gospel choir.
I never thought of us as a punk band, a metal band, or a new wave band. Just as a band band.
There's always a Van der Graaf audience that wants to hear the band's sound. And totally fair enough. Why not? It's a band. You like the band, you like the band.
Revamp is a band that would deserve the hundred-percent devotion a band needs, and at this moment, I don't see any future for another band next to a band such as Nightwish, and with the ambition to become a mother, I will have to let Revamp go, which is a very sad decision.
It was my band. I organized the band and Dizzy was in the band. Dizzy was the first musical director with the band. Charlie Parker was in the band. But, no, no, that was my band.
When you are in a band for a number of years you loose your identity in a way. You become a part of that band and then all of a sudden you are not part of that band. You are still the band without the other two members.
As rich as you think some of us are, for every $18.99 CD you buy, the artist usually sees a toonie or so. Pay your producer out of that. Then your manager. Then split it five ways among your band mates. Now don't act surprised when you see the drummer of a platinum-selling Canadian rock band behind the drive- thru window at Tim Hortons
I do not want and will not take a royalty on any record I record. I think paying a royalty to a producer or engineer is ethically indefensible. The band write the songs. The band play the music. It's the band's fans who buy the records. The band is responsible for whether it's a great record or a horrible record. Royalties belong to the band. I would like to be paid like a plumber. I do the job and you pay me what it's worth.
I like to talk to my team-mates. Communication is key.
The Beatles weren't like any other band. Everybody in the band sang, which is why you knew everybody in the band.
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