A Quote by Phil Anselmo

Knowing what you're up against is part of the strength of writing something that is even, I guess, considered halfway original, knowing what's out there to begin with.
It should begin with friendship, I think. Suddenly I cannot look at him. It should begin with friendship and truly knowing who a person is, knowing his flaws and hopes and strengths and fears, knowing all of it. And admiring and caring for- loving the person because of all of those things... I know that now.
Every time a militant Islamist terrorist shoots somebody up, what does Barack Obama do and the Democrats? They come out and they demand that there be no backlash against Muslims. So any time a police officer shoots a black suspect - without knowing why, without knowing the circumstances - why doesn't Obama stand up and warn against a backlash against cops? If we are to guard against backlash against Muslim shooters, where is the sameness?
I spent many years not knowing where my dad was... Not knowing if my dad was alive, even. He turned up when I was 16 out of the blue.
A visionary is someone who can see the future, or thinks he sees the future. In my case, I use it and it comes out right. That doesn't come from daydreams or dreams, but it comes from knowing the market and knowing the world and knowing people really well and knowing where they're going to be tomorrow.
Right now you can allow yourself to experience a very simple sense of not knowing - not knowing what or who you are, not knowing what this moment is, not knowing anything. If you give yourself this gift of not knowing and you follow it, a vast spaciousness and mysterious openness dawns within you. Relaxing into not knowing is almost like surrendering into a big, comfortable chair; you just fall into a field of possibility.
I guess I had a suspicion of it my entire life without knowing exactly what it was - knowing that there was something different about me, which I attributed to being an artist. At 11 or 12 I started sort of clarifying for myself. It took a while.
It's inherently a part of my childhood and my development as a person and an artist, this childlike feeling knowing that something is missing but not quite knowing how to fix it. I'm always drawing on it.
Knowing that my granddad was a highly respected actor wasn't necessarily intimidating, but it definitely meant there was always a pressure to live up to his reputation. I think that's why acting wasn't something I even considered doing, as a kid.
Listening is the most dangerous thing of all, listening means knowing, finding out about something and knowing what’s going on, our ears don’t have lids that can instinctively close against the words uttered, they can’t hide from what they sense they’re about to hear, it’s always too late.
I grew up knowing the pros and cons of the business and knowing what comes with pursuing what you love in terms of being in the public eye. I also grew up among people that were considered celebrities and people that people admired.
We humans have two great problems: the first is knowing when to begin; the second is knowing when to stop.
The safest place to be is always halfway into your future, without even knowing what it is.
There is no knowing that does not begin with knowing God.
I've become to realize there's a world of difference between knowing something happened, even knowing why it happened, and believing it.
Amnesia is not knowing who one is and wanting desperately to find out. Euphoria is not knowing who one is and not caring. Ecstasy is knowing exactly who one is - and still not caring.
Knowing things halfway is a greater success than knowing things completely: it takes things to be simpler than they really are andso makes its opinions more easily understandable and persuasive.
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