A Quote by Phil Collins

Take a look at me now, cause there's just an empty space. And you coming back to me is against all odds and that's what I've got to face. — © Phil Collins
Take a look at me now, cause there's just an empty space. And you coming back to me is against all odds and that's what I've got to face.
I wish I could just make you turn around, turn around and see me cry There's so much I need to say to you, so many reasons why You're the only one who really knew me at all So take a look at me now, 'cos there's just an empty space And there's nothing left here to remind me, just the memory of your face Take a look at me now, 'cos there's just an empty space And you coming back to me is against all odds and that's what I've got to face
The immaterial blue colour shown at Iris Clert's in April had in short made me inhuman, had excluded me from the world of tangible reality; I was an extreme element of society who lived in space and who had no means of coming back to earth. Jean Tinguely saw me in space and signaled to me in speed to show me the last machine to take to return to the ephemerality of material life.
By now you know what I liked most was the hunt, the challenge of what the thing was. The killing for me was secondary. I got no rise as such out of it... for the most part. But the figuring it out, the challenge -- the stalking and doing it right, successfully -- that excited me a lot. The greater the odds against me, the more juice I got out of it.
Only now do I understand the war against boredom, the lost cause of empty hours, of empty days and nights.
The majority of the world is empty space. Empty space, empty space, empty space. All that we see in the world, the life, the animals, plants, people - it's all empty space. That's amazing!
For it is only framed in space that beauty blooms. Only in space are events and objects and people unique and significant-and therefore beautiful. A tree has significance if one sees it against the empty face of sky. A note in music gains significance from the silences on either side. A candle flowers in the space of night. Even small and casual things take on significance if they are washed in space, like a few autumn grasses in one corner of an Oriental painting, the rest of the page bare.
Now, the question of the hour is, "Who's got the Pandorica?" Answer: I do. Next question: Who's coming to take it from me? Come on! Look at me! No plan, no back-up, no weapons worth a damn! Oh, and something else, I don't have anything to lose! So, if you're sitting up there in your silly little spaceship with all your silly little guns, and you've got any plans on taking the Pandorica tonight, just remember who's standing in your way! Remember every black day I ever stopped you, and then, and then, do the smart thing: Let somebody else try first.
As I look back on it now, I'm thinking of one very vital factor, that one factor being that I was afforded the luxury - the luxurious opportunity - of finally being able to put something back. As a child growing up, it was his [Frank Sinatra] efforts that put a roof over my head, food in my stomach, clothes on my back, and that got me an education and sent me to the doctor when I was sick. All those things a child could benefit from parent. I did not want to be in a position where all I had ever done was take, take, take, frankly.
When a top batsman is coming after me, I have more chance of getting his wicket as he is just looking for fours and sixes. If I am vulnerable, he is vulnerable too. I can use my variations well and take my chances against him. That's how I look at batsmen attacking me.
If I got the option of going into outer space and hanging out there for a day and then coming back home and dying the next day, or just waiting around to see if there's any opportunity for the technology to develop so that I might experience outer space sometime in the future, I would probably take the ride today and die tomorrow.
Coming to Australia, it was just really magical for me. It just had the wow factor of a different sort of place and, more so, just being with a family that wanted to love me and to have me, because I knew back then, before coming to Australia, there was no way of getting back home or finding my real family.
Here's a message to the new borns, waiting to breathe: if you believe then you can achieve. Just look at me, against all odds 'though life is hard, we carry on, livin' in the projects, broke with no lights on. To all the seeds that follow me- protect your essence, born with less, but you still precious.
I would die to record in space. That would be the coolest. If I got the option of, going into outer space and hanging out there for a day, and then coming back home and dying the next day, or just waiting around to see if there's any opportunity for the technology to develop so that I might experience outer space sometime in the future, I would probably take the ride today and die tomorrow. I'd be happy just hanging out between the moon and the Earth, getting a view.
I think minimalism is something I just got attracted to just in general because I like the empty space, if you think about it, like there's a lot of empty space. So there are sounds there, there are chords, like coordinates, to sort of tell you where the emotion is going, but then it leaves so much room for the voice to do other things.
We've got to take back the ideal of justice, we've got to take back this principle of human dignity. We've got to take it back from vengeance, from hatred, we've got to say: look, we're all in this together. We are human beings.
'Cause your love got the best of me, and baby you're making a fool of me. You got me sprung and i don't care who sees, 'cause baby you got me so crazy.
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