A Quote by Phil Collins
Of course you can't please everyone all the time. It's just something that I've got to get over, and I'm better at it now.
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One of the things that happens to everyone who is grief-stricken, who has lost someone, is there comes a time when everyone else just wants you to get over it, but of course you don't get over it. You get stronger; you try and live on; you endure; you change; but you don't get over it. You carry it with you.
Some people won't like me; that's just human nature. I battled with that for years, trying to please people, but now I haven't got time to win people over! I've got nappies to change!
You need to have a reader's sympathy in order to accomplish anything. It's like at a reading, I find it's better to read something funny than to read something tragic. It just goes over better because you have a finite amount of time with somebody. Of course, in a book, you have a lot of time. But you still do want to make a certain impression right when you begin.
I always feel like an idiot every time I fly first class because I’m a kid. And I just sit there, and everyone’s got their newspapers and they’re on the computer, and I’m like, 'Can I get a coloring book, please? Can I get some crayons?'
I'm a better musician now, and I rarely practice because age has taught me the value of economy. And I think I'm a better writer now because I don't waste as much time, dilly-dallying and sassafrassin' and sloop and sloppin' and frying eggs. When you start writing, half the time you're just saying howdy to the page. My process now is a little more lean and muscular. I don't waste a lot of time. When I had kids, I learned how much time I had before, and how much time you actually need to do something. If you don't have time, you'll just do it and get it done.
Anything you spend a long time on, of course it would be nice if everyone likes it. But I think the strength that we've got is that we always concentrate on what we want it to be like and not really trying to please other people.
You've just got to trust your instincts and realize that you can't please all the people all the time. You've got to please yourself ultimately in the end.
I think one thing I've learned over the years is just that you're not going to ever please everyone, and the most important person to please is yourself.
Yeah it's completely different, it's matured tenfold. We wrote the first album over five years as teenagers but now we've got the opportunity to do InMe full-time. We've got closer together, we've got a better connection.
Whenever you take over something that is popular and has a fanatical following that loves it, you're never going to please everyone. The trick is to have enough wherewithal to follow through with what you want to do with it and give it time to evolve.
I don't necessarily go out and try to do something that's going to be just something that will please the audience. I'm not interested in doing something where I get the most people to come see the movie at the same time and they get the biggest explosion. I'm not interested in that.
In painting, you have to destroy in order to gain... you have got to sacrifice something you are quite pleased with in order to get something better. Of course, it's a risk.
We're putting all of our energy into making it right. And we have already had several software updates. We've got a huge plan to make it even better. It will get better and better over time. We screwed up. That's the fact.
There's no doubt that I'm a better president now than when I first took office. This is not a job where there's a manual, and over time you get a better sense of what's important, what's not, how to see around corners and anticipate problems, as opposed to just managing problems once they've arrived.
When you have the catalog of work, it doesn't feel like you've got one shot to get it right; it's just like, you're making a new document of something at the present time, and it's a living thing, and it changes. It's been cool to help other people make their records, to produce. You get a crash course in things that you don't get as the artist.
When I first started modelling, as I was walking down the catwalk I just thought, 'Please don't fall over, please don't fall over, please don't fall over!'
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