A Quote by Phil Collins

I do that in whatever language of the country I'm in, because the audience appreciate it. — © Phil Collins
I do that in whatever language of the country I'm in, because the audience appreciate it.
Films, fiction, can encompass a whole global vision on a particular subject with any story, whatever it is. You can play the story in whatever country with whatever language in whatever style you want to tell the story in.
If you appreciate your life, if you appreciate your job, if you appreciate yourself, if you appreciate your surroundings-poor or rich, whatever they are-you are divine.
Any time there is a film in a 'foreign language,' in Spanish or Korean or whatever language, it's usually not an American film. It's usually from another country.
English is an Indian language. It reaches a wider audience across the country.
This is the problem with language, and this is what makes silent movies fun, because the connection with them, me or the audience is not with the language. There's no question of interpretation of what we are saying it's just about feeling. You create your own story
This is the problem with language, and this is what makes silent movies fun, because the connection with them, me or the audience is not with the language. There's no question of interpretation of what we are saying it's just about feeling. You create your own story.
Everyone is used to speaking a slightly different "language" with their parents than with their peers, because spoken language changes every generation - like they say, the past is a foreign country - but I think this is intensified for children whose parents also grew up in a geographically foreign country.
When the time of danger comes, all Americans, whatever their social standing, whatever their creed, whatever the training they have received, no matter from what section of the country they have come, stand together as men, as Americans, and are content to face the same fate and do the same duties because fundamentally they all alike have the common purpose to serve the glorious flag of their common country.
When I was younger, I used to hate Germany. I hated the country, the people, the language, the culture, everything! But over the years I've grown to really appreciate the German people.
I have been able to get a small audience. It's not the huge audience, but it's enough to make it possible to play. I appreciate that.
Language is filled with words for deprivation images so familiar it is hard to crack language open into that other country the country of being.
Learn a language of another country and then you can go to that country: a place where the problems of your family will not follow. A language they do not speak.
I sign up whatever live shows I get simply because every gig is a chance to reach out directly to the audience. When it comes to gigs, I try mixing personal picks with what the audience demands.
I've always said that, first and foremost, I make films for New Zealanders. They're my target audience. Then after that, if people appreciate my stories from outside this country, then that's an added bonus.
[Albert Camus] really did know Algeria. He was an exile from his country, but still living in its language. Solitaire et solidaire. It's not like those who are exiled to a country where the language is not theirs.
["War Horse"] does have action as well, but we allow the audience to appreciate the environment where these characters are from because the lens shapes the people, as we know.
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