A Quote by Phil Collins

I don't really belong to that world and I don't think anyone's going to miss me. I'm much happier just to write myself out of the script entirely. — © Phil Collins
I don't really belong to that world and I don't think anyone's going to miss me. I'm much happier just to write myself out of the script entirely.
I'm much happier just to write myself out of the script entirely.
For me, I need to fully immerse myself in a script to the point where I'm literally locking myself away for weeks at a time and I just write it. So I can write twelve to fifteen hours in a day, with breaks in between, obviously, but I need to just sort of live within the world of the script.
As soon as I sat down to write music, really, with Café Blue. I just can't think about that when I sit down to write. I don't let myself. I actually don't allow myself to look at sales figures. Ever. I get the general impression that I'm not selling like Norah Jones, but I don't really pay too much attention, because I think it would corrupt me.
Me and Conan O'Brien and Robert Smigel and Dana Carvey wrote a script called 'Hans and Franz: The Girlyman Dilemma,' and it was going to be co-produced with Arnold Schwarzenegger, and he was going to co-star in it. We had a deal with Sony, we got paid to write it, and it was a musical, but it never got made because...I think Arnold kind of backed out at the last minute because he was getting cold feet because ;The Last Action Hero' had come out, where he was parodying himself. But it was a really funny script, and I wish it could've seen the light, because I think it would've done really well.
I thought one way to try to hold on to the power was to write the script myself. That way, I could say to filmmakers, "I'm not asking you to hire me unseen. I'm just saying, 'Here's my script. Can we work together?'" So that worked out well.
I don't really do much social media. I just don't like it that much. I've trained myself to write very slowly for a lot of money so it really galls me to write quickly for free.
If something goes wrong with my switch, there's no way anyone from Bharti can do anything about it. An Ericsson guy is going to have to come and fix it. I don't manufacture it; I can't maintain or upgrade it. So I'm thinking, 'This doesn't really belong to me. Let's just throw it out.'
I had written the script a few years earlier for Paramount, then later got hired with Sam [Fuller] to write an entirely new script that he was going to direct. And that was one of the great thrills of my professional life.
I had always been the hardest on myself when I drew and painted. I am not hard on myself when I write. I like what I write, so it is a much happier process.
I found that I was much more interested in writing and that I didn't like the illustrating at all. I had always been the hardest on myself when I drew and painted. I am not hard on myself when I write. I like what I write, so it is a much happier process.
The funny thing about Facebook and Twitter is, you can go on there and see what's going on in the world without watching the news. I get so much news off of social media. I think it's cool. It's changed everything, not just music. It's changed the world. It definitely is a good thing. I don't really know what I think of it yet more than that. I haven't really sorted that out for myself.
I've never really taken myself seriously as an actor, It is surprising the amount of people who think I'm going to be really dumb. I think they think anyone who has done teen movies is just an idiot. I don't know, maybe I am. Some of the best actors, if you talk to them, they're not the smartest people in the world.
I don't want to take all the time. I just want to do what you wrote and let me go from there. I don't want to miss something. You know, I'm not really a writer per se, but I can write. But I can't put a script together like they can.
Whenever I'm doing any film, there's always three different things. There's the script, which is really just a blueprint. And then, you shoot the movie and it's an entirely different experience than you would expect from reading the script. And then, there's the whole post process and the editing, and it becomes something else entirely.
One of the things that I've worked my way out of doing, and I knew that I needed to, was comparing myself to other people. That just poisins everything. It all of a sudden dtermines even clothes you're going to choose to wear that day or what you're going to do with a music production or how you're going to sequence it. It poisinseverything. Your real job in the world is to be you. Comparing yourself to other people I think that hurt me more than anything. Allowing myself to go there so much in my head hurt me.
Any time you write history, you insert your opinion. You pick and choose what you are going to write about. I feel really happy not inserting myself. I spend too much of my life inserting myself. It's just great to let other people carry the narrative.
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