A Quote by Phil Collins

On the day of the show, I sit down with someone that speaks very good English and someone who speaks the local language very well and work out what I'm going to say. — © Phil Collins
On the day of the show, I sit down with someone that speaks very good English and someone who speaks the local language very well and work out what I'm going to say.
I hate when I see someone who speaks English speaking to someone who speaks a different language, and they're screaming as if going louder is going to help the other person understand.
It's good to have someone who speaks your language in everyday life, especially for me, who does not speak English so well.
Because it's unacceptable that the aid worker's chauffeur only speaks his own tribal language, an applicant is needed who also speaks English fluently - and, ideally, one who is also well mannered. So you end up with some African biochemist driving an aid worker around, distributing European food, and forcing local farmers out of their jobs. That's just crazy!
Never make fun of someone who speaks broken English. It means they know another language.
Gore speaks to America as if English is its second language; George W. speaks as if English is his second language.
In Buenos Aires, I have a very close friend who speaks very good English, and she taught me. It was quite difficult because the muscles of your mouth are used to your language, and then when you want to speak another language, they don't go to the place they need to go to make the sound.
No one gets angry at a mathematician or a physicist whom he or she doesn't understand, or at someone who speaks a foreign language, but rather at someone who tampers with your own language.
People in Italy seem to be very capable of singing along with 'Wish You Were Here' perfectly, yet it's hard to get someone in the street who speaks english.
He who speaks a bit of a foreign language has more delight in it than he who speaks it well; pleasure goes along with superficial knowledge.
Joss Whedon writes beautiful drama. His sensitivity and his sense of drama and scenes are pretty exceptional. There's no one else writing like him, really, in sci-fi and TV. That's not to say there are no astonishing writers on TV. I was nervous about coming to America and playing an English person who speaks very English when all the writers are American, because it's a very particular thing to imitate, and if it's badly imitated, it sounds painfully contorted and silly. And he writes very well for English people. It was Joss Whedon who persuaded me.
We all have an inner teacher, an inner guide, an inner voice that speaks very clearly but usually not very loudly. That information can be drowned out by the chatter of the mind and the pressure of day-to-day events. But if we quiet down the mind, we can begin to hear what we're not paying attention to. We can find out what's right for us.
'The Lair of the White Worm' is quite a strange film. It's difficult to be good when you're saying lines that have been translated from Spanish to English by someone who speaks French.
A hero is someone who stands in the community and speaks their hopes and speaks their passion. That's almost an act of heroism nowadays because higher consciousness is so trivialized.
Believe in miracles but don't depend on them. When you hear kind word spoken about a friend, tell him so. Spoil your spouse, not your children. Never make fun of someone who speaks broken English. It means they know another language. To help your children turn out well, spend twice as much time with them and half as much money.
It's good to have someone who speaks your own language just to get your mind off of basketball.
When someone else is getting punished you show up, you eat some lunch, you sit back because you're not going to do anything. But when you're the one that has to go, that whole day is a very miserable experience.
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