A Quote by Phil Daniels

My heart's in stage. Making 'Quadrophenia' was exciting because we were riding around on scooters with no crash helmets. But 'hurry up and wait' is the anthem of films. Everybody wants you ready, and then you sit doing nothing.
My heart's in stage. Making Quadrophenia was exciting because we were riding around on scooters with no crash helmets. But "hurry up and wait" is the anthem of films. Everybody wants you ready, and then you sit doing nothing.
I don't miss television. It's too much hurry up and sit around, wait till they do this and do that, and get the lighting just right. I'd much rather go out on a stage anywhere and just play and sing for an hour.
I am not the kind of person that wants to enforce my wants, likes, desires, on everybody else. I have no desire that everybody like what I like. I have no desire everybody say what I want to hear said. I have no desire everybody stop whatever they're doing and listen to what I have to say. I have no desire that everybody agree. No, that's not true. I do wish everybody agreed, but I'm not gonna sit around and force that on people.
You'd see extraordinary-looking people around in the '70s. It was so exciting! You'd have mad people, like Gerlinde Kostiff riding around on her bicycle with a huge hat. Everybody was doing things. I don't have any bad memories of that period.
Doing these movies I've done with WWE, it's a different pace. It's a lot of hurry up and wait, a lot of sitting around and like the day of the pay-per-view, when you're thinking about what you can do, and then you get the payoff, the reward, that night. It's just a different animal.
It is totally different making films in the East than in the West. In the East, I make my own Jackie Chan films, and it's like my family. Sometimes I pick up the camera because I choreograph all the fighting scenes, even when I'm not fighting. I don't have my own chair. I just sit on the set with everybody.
I want bikers to ride safely, wear helmets and realise that their families are waiting at home for them. Even in Mumbai, I have seen that they don't wear helmets and are always in a hurry.
I was turning up at sets where inexperienced people were making these badly written films - but they were doing it; that was the point. They were getting their films out there. And they were paying me, so they obviously had access to money. I just thought, 'I can make something better than this.'
We've been doing work outside of the anthem since the beginning. Before the anthem even started, players were involved in these types of social justice issues. The anthem protests or demonstrations just brought eyes and attention to it.
Return to me, for my heart wants you only. Hurry home, hurry home, won't you please hurry home to my heart.
I prefer to take up films where I have a substantial role and screen space, though there's nothing like a conscious decision of doing one film a year because I haven't reached that stage yet.
Novels are such mysterious and amorphous and tender things. And here we are with our crash helmets on, with concertina wire all around us.
I don't sit around and wait for great parts. I'm an actress, and I love being one, and I'll probably be doing it till I'm 72, standing around the back lot doing 'Gunsmoke.'
I don't sit around and wait for great parts. I'm an actress, and I love being one, and I'll probably be doing it till I'm 72, standing around the back lot doing Gunsmoke.
When we were writing the 'Stage' album, we realized we'd never really done proper covers, where we were taking songs and making them our own and kind of playing around with them. I came up with the idea of doing a cover of 'Wish You Were Here,' but we didn't really want it on the record.
When you're talking about who is doing the most exciting and interesting horror films of the last 20 years, it's Japan. I mean, they are making amazing films.
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