A Quote by Phil Daniels

Being a part-time pop star was perfect, really, when I wasn't worn out by the partying. — © Phil Daniels
Being a part-time pop star was perfect, really, when I wasn't worn out by the partying.
The English don't like concepts, really, not from a pop star. It's alright if they come from an 'intellectual,', but from a pop star you're getting ahead of yourself. Part of the class game is that you shouldn't rise above your station, and to start talking about concepts if you're in the pop world is getting a bit uppity, isn't it?
Part of being a pop star is image. I'm told by many of my female fans that I was the poster on their bedroom walls. But if I only had that - the image and the beauty and the curly locks - I would have been a 'normal' pop star, one who comes and goes after one hit record.
I'm not good at being a picture-perfect pop star, happy all the time. If I'm having a bad day, I can't pretend. I'm always a bit unhappy, but that's just me. I like dwelling in my sadness.
Could you imagine being from Siberia? Like, a small part of Russia, where it's like, 'When was the last time Russia was having a super big international pop star in the U.S.?' I don't know, but I can name a few from Sweden. I think that gives us a lot of confidence in being pop stars because we're like, 'Oh, we actually can. We know we can.'
The hardest thing about being in this business is just being able to be yourself. People act like there's this one set of rules to follow to be a pop star and I think, 'Well, you say I'm a pop star, so maybe that's not true.'
The way he tells it, George Michael was born to be a pop star. It's as if nothing else really mattered during his childhood. Even the name was part of the pop creation.
There are people who are known for some contribution to pop culture, but that doesn't mean that you've survived solely on your relevance to whatever is currently popular. That's what a pop star is, in that sense. You might start out as a pop star, but that's just an opportunity to become more relevant, if you possibly can.
I don't think that I'm a pop star. On paper, I'm bad at being a pop star with the conventional idea people have.
I'm not a pop star. I don't feel like one. I'm always joking that I'm actually an eight-year-old boy dreaming about being a pop star.
For me, titles are either a natural two-second experience or stressful enough to give you an ulcer. If they don't pop out perfect on the first try, they can be really hard to repair. Or, worse, if the author thinks they pop out perfect, but the publishing house does not agree, it's difficult to shift gears. And then? Then you go insane.
I've never really spent too much or put too much gravity or placed too much importance on being a pop star. It's like, OK, great, does that mean I don't have to do anything anymore except walk around and be a pop star?
There's a difference between a pop star and an artist. Pop stars have to be perfect all the time; an artist is allowed, on occasion, to suck. And I put myself in that category because I sometimes suck. I'm not trying to please the masses. It's not going to happen, so I don't try.
There's something wildy decadent about the young-star lifestyle, and I just don't really see the point. I got my partying out of my system in college.
Madonna is the ultimate pop star of all time, hands down. She wrote the playbook for it. There is no female pop star - and probably few men today, for that matter - who are not indebted to her in one way or another for her contributions to the industry.
A rock star is expected to act like a mess, sound like a mess and look like a mess. People don't expect you to show up on time and be a professional. But when you're a pop star, you have to do all that, look perfect and be a role model.
I'm over being a pop star. I don't wanna be a hot girl. I wanna be iconic. And I feel like I've accomplished a lot. I feel like I'm highly respected, which is more important than any award or any amount of records. And I feel like there comes a point when being a pop star is not enough.
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