A Quote by Phil Daniels

Acting is a tough industry. There are a lot of kids out there at drama schools and not a lot of money about, especially as the arts are being cut. — © Phil Daniels
Acting is a tough industry. There are a lot of kids out there at drama schools and not a lot of money about, especially as the arts are being cut.
I majored in drama and theater arts at Columbia and was always in acting studio, but that was a liberal arts degree, not a bachelor of arts degree, so I didn't have a traditional conservatory training. There was a lot of reading and a lot of writing involved, and only about 30 percent of my classes were directly theater-related.
I see the difficulty of kids in going to university, the difficulty of kids in schools getting arts education, so that the arts and drama and the creative arts are extracurricular. They aren't: they are at the centre, and they are the equipment we so desperately need in the world.
It's sad. There's a lot about this industry that a lot of people don't know about and don't find out about. There are a lot of tough things and trials and stuff that you're faced with. Sometimes, God has other plans for people. Sometimes bands can't stick through it. It depends on the situation. Keep praying for the bands that you like, seriously, because a lot of things will try to get in the way of being together. We've been blessed with not deal with those yet, but if we ever did...?
Drama schools say if arts funding is cut, people can't afford to go, but I didn't go to drama school.
I fell in love with acting, just going to a lot of plays. My parents went to a lot of plays, and I went to a lot of schools that would get plays for kids.
I went to a lot of theatre schools, got a lot of training, did a lot of repertory where you do a different play every night. I took a lot of voice, movement, and acting classes.
People think stage school is a little star factory but the truth is kids like me learned about being in a team situation and going out to work earlier than a lot of kids did. I don't know anyone from drama school who's now sitting on their arse doing nothing.
I went to University after my A levels and did a degree in performing arts. It was only when I got there that I realized there were stage schools out there, and you had your union and your contacts and The Spotlight and this whole world of the acting industry that I had no idea about. So when I graduated, I took a year out and just thought really hard about whether it was something I knew enough about, and whether it was the career I could dedicate the rest of my wacky life to.
Teachers complain a lot about how tough their job is. But, you know, the day begins in most schools at nine o'clock, ends at 3.30 P.M. They have six weeks' holiday during the summer, two weeks' holiday at Easter and at Christmas. Yes, they don't just work when they're at school, but even so, compared to a lot of other jobs, it's not that tough.
A lot of tough players come out of Jersey. Tough-minded kids. That's what I was.
My kids aren't celebrities. They never made that bargain. We were offered a lot of money to sell pictures of our kids when they were born. You'll notice there aren't any. I make no judgment about people who decide differently; a lot of them give the money to charity. For me, it was a matter of principle.
I went through two schools of acting but I learned more about acting from meditating and from my marshall arts teacher.
I have to be honest about this: I wouldn't tell a lot of kids to go and be writers. It's a tough, tough business. It's not a business. It's more like a tough road. It's a really tough road.
I miss Texas so bad. That’s the hard part about being out here in L.A., trying to pursue acting and music and lighting and production and stuff. It takes a lot of time out from your personal life, and I can only get back to Texas three times a year at most. It’s tough.
I think we should allow for schools within schools, where 100 out of 500 kids may be organized by the way they work and what they do, and what they do often is more progressive. I would like to see a lot of kids of different ages, maybe even some adults, work together on a project.
I am adamant that we must not cut back on funding of the teaching of the arts in the schools: music, painting, theater, dance, all of it. The great thing about the arts is that the only way you learn how to do it is by doing it.
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