A Quote by Phil Dunster
I've done a lot of theater in my time, and in rehearsals, you're like, 'Well, we find it funny,' but until you get it in front of an audience, it's really hard to know.
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Direction is the most invisible part of the theatrical art. It's not like the conductor in the symphony orchestra performance because he's standing in front of you waiving his arms. You now what he's doing. You don't know what the director is doing unless you know a lot about theater and even then you can only deduce it. You know it when you go to rehearsal. You really know it when they are rehearsing something of yours. I learned more in the rehearsals for The Letter than I have ever dreamed of know in the theater as a critic. If it doesn't make me a better critic, I'm an idiot.
What I love about the theater is that you know who you're acting for: your audience. And the thing I find really hard in film is, you don't. The audience is invisible. And we're sitting there, hoping there's other people out there.
I know what I want to talk about, but I don't really know what's funny about a joke until I perform it in front of an audience.
I've done a lot of theater, and I know that it's a different audience each time who doesn't know the story, and we have to tell it.
If you're not doing something right, you can feel it on stage, and if it isn't going well, the audience will tell you. A teacher can teach you sense memory and this and that, but until you get in front of an audience, you don't really feel it.
I think I'm better wired for television. I love variety as far as a project. I'm easily bored and the schedule of a television show, it just keeps you going. I love theater and I think doing a sitcom in front of a live audience is the closest you can get to theater, and it's really the best mix of like standup and theater, is really a sitcom. I started as a standup and I still continue to do that as well, so I think I'm just a TV guy and happy for it. I think my movie career is kind of like my social life, I'm picky and not in demand. So it perhaps is working out.
What I always loved about theater is that that's an experience that a company of actors just sinks itself into for weeks, and you really get to work on the material, and by the time you're in front of an audience, you really own it.
I have a children's theater background, so I grew up performing for child audiences; it's sort of my specialty. I know the child audience pretty well - or felt like I did because I performed for them so much. I studied a lot about the child audience, about theater. So it was naturally a place that I gravitated to.
I always knew she was being funny, but when I tell my therapist that my mom played the trust game with me and let me fall on the ground, my therapist does not find that funny. She's like, "That's the reason for everything! That's why you have such a hard time with trust!" And I'm like, "I don't really have a hard time with trust. I thought it was funny."
You'll get, like, 10 pages of sides the night before, and you have to go in and just wing it. For someone like me, I came from the theater, and I don't like putting anything up in front of anybody until it's really, really ready, so it can be very frustrating.
I'm funny with food, even if it's vegan. I like it well well, well, well done. I don't want anything there that reminds me of blood. I get mine extra well done. That way, when I look at it, I'm like, 'Okay, cool.'
I find theater terrifying. There are no do-overs, you know? It's all happening live. You need to be in it 100 percent at any given moment, and the audience is right there. I'm really intimidated by theater, but it is my first true love. I love theater. I love that anxiety.
AMD's history is we've always had great technology. We've had periods of time where we've done really, really well, and we've had periods of time where we've done not so well. But most of the time we've done well, it's because we've had a leadership product or some technology where we were out in front before anybody else.
In theater, it's just you and the audience. It's less of a popularity contest. It's just you and the audience, and they're laughing or they're not laughing, that's the only gauge you really have. But with TV and movies and everything, it's like "Well, did you get a meeting at so-and-so?" and "So-and-so's really hot right now," which is all the stuff I'm probably still not used to.
My whole experience into the sitcom world, it was, like, "This is like theater, this is like film... This is a hybrid of everything I love to do. A live audience and rehearsals and... more food!"
Most of the theater I've done in the past was when I was a kid or a teenager so it feels like being a kid again. I'm happier than I've ever been. You really get to go to work every day and play, and try different things. I don't know, I've never felt so lucky to do this job. So I hope to do a lot more theater.
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