A Quote by Phil Elverum
It's nice to have a band that can adapt to whatever show we're in, so we can play on a big stage or a house show.
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Some bands blow it before they even play. The most important moment of any show is when a band walks out with the red amp lights glowing, the flashlight that shows each performer the way to his spot on the stage. It's crucial not to blow it. It sets the tempo of the show; it affects everyone's perception of the band.
I was going to do a big radio show, and I said to my driver, 'Radio can wait, take me to the Full House house.' It literally was a drive-by. I photobombed the Full House house yesterday. I took like 20 pictures because I thought I didn't look good in any of these - you can't see the house! You gotta really show that that's the house!
My show 'The Big House' was picked up; they flew me to New York. I'm about to step on stage to announce 's 'The Big House.' And a hand grabs my shoulder, 'Kevin no, they just decided to cancel it.' It's a serious smack-in-the-face business, and either you can take it, or you can't.
I think what's cool about about going on a co-headline tour is everyone's bringing a huge show, so it's not like opening band, opening band, then here's the big show. It's like two big shows.
My show 'The Big House' was picked up; they flew me to New York. I'm about to step on stage to announce Kevin Hart's 'The Big House.' And a hand grabs my shoulder, 'Kevin no, they just decided to cancel it.' It's a serious smack-in-the-face business, and either you can take it, or you can't.
I'm glad I can do both full-band electric and solo acoustic performances. It's nice to have contrast, so if you get fed up with one, you can just switch to the other one. It's great to go to a town and play an acoustic show, and then you can come back a year later and play electric, and the show's really fairly different. The repertoire will be 50 percent different. The musical energy is completely different.
I actually think the band doesn't need the television show. And I actually think the television show holds it back. No one at radio wants to play a band that's on a television show.
In a moment, or type of pressure, you just go out, and I play like I always do. Because it's a big moment, I'm not going to shy away and not show my talents. I'll show what I can do and show it every game.
I did a live late-night talk show called 'Creation Nation' with friends of mine. I had a sidekick and a band, and I wrote the whole thing. And it had the form of a late-night talk show, but we did it on stage because no one was giving me a TV show at the time.
We always pray before we go on stage. It's just something that I've always done. For me, it's a big thing, and the guys in the band seem to appreciate doing it, so we do it at every show.
I did do an off-Broadway show for about 15 months. '91 and '92. It was nice to have a steady paycheck for a while. It was Oliver Jackson and Earl May, Art Barron and myself were the house band. I was 24 and 25 at the time.
Why can't I ever play a nice, normal, salt-of-the-earth type? Is there something I should know? It's fun to play villains and character roles, of course - but I'm sure it's also fun to be a really big star and play the lead in everything, where all you have to do is show up and not blink.
We knew we wanted to have our own tone for the show. And then the big instrument that actually we came up with was the cello. It has a big range. It can play really low. It can play high. And it has a dark sound, and 'Game Of Thrones' is obviously - it's a dark show, and the cello became the featured instrument.
When I auditioned for 'Jessie,' I knew that Disney Channel basically will do 100 episodes of a show if it's a hit; they'll stick with something. It's a great network to work with because they make a nice big commitment to a show.
It's nice getting to play a different version of yourself. You sign on for a show and think you're just going to play one character for however many years, so it's nice, for an actor, to have a little bit of fun.
For so many years of my career, I was The Big Show. So in the back of my mind - whether it was 'fat' or aesthetically not pleasing or whatever crap people want to sling around - I enjoyed being The Big Show. I enjoyed being 450 pounds.
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