A Quote by Phil Elverum

I like a bass drum. A big one. — © Phil Elverum
I like a bass drum. A big one.

Quote Topics

In the late '80s and early '90s, there was a slightly retro drum sound that was popular in hip-hop music called the 808 bass drum sound. It was the bass drum sound on the 808 drum machine, and it's very deep and very resonant, and was used as the backbone as a lot of classic hip-hop tracks.
My dad was a kind of semiprofessional Dixieland-type drummer, and I learned the drums from him. When I was about twelve, we bought our first Ludwig drum set from a pawnshop - a marching-band bass drum, great big tom-toms, and big, deep snare drums.
I was a big Drum and Bass junkie when I grew up.
When Mr. Ludwig invented the bass-drum pedal, that's what made the drum set possible.
Boy you got my heartbeat runnin away Beatin like a drum & it's comin your way Cant you hear that Boom badoom boom boom badoom boom bass He got that super bass Boom badoom boom boom badoom boom bass Yeah that's that super bass
I can preach until your deaf and dumb, I'm in that soul saving army beating on that big bass drum.
I couldn't name more than a couple of good drum'n'bass acts, and I have no idea what's big in the dance world right now.
Yeah, my drum programming especially is based on my knowledge of playing a drum kit. For the bass too, definitely. It was the first thing that I translated any sort of ideas through. It must have shaped it somehow.
The only time I can ever remember Steven crying over any of it was after my treatment, when I tried to use my foot on his bass drum pedal, and we realized I could never play a drum set.
The bass should be the note of the bass drum, and then you've got the engine of the band that everything else builds on. Everything else, the guitar, the keyboards, is a colour.
Amon Tobin has been producing electronic music since the mid-'90s, and was a key figure in the rise of drum-and-bass. He's also written some of the genre's most compelling tracks, in the process delving into jazzy breakbeats and bass lines.
The stillness of the calm is awful. His voice begins to grow strange and portentous. He feels it in him like something swallowed too big for the esophagus. It keeps up a sort of involuntary interior humming in him, like a live beetle. His cranium is a dome full of reverberations. The hollows of his very bones are as whispering galleries. He is afraid to speak loud, lest he be stunned; like the man in the bass drum.
Nothing beats 2 guitars, drum and bass.
I always worry that I'm a dilettante: I know something about lots of things but don't have exhaustive knowledge of much. Take dance music: I like enough of it and its history to be able to say a word or two about this or that record, but I'm nobody's authority. I couldn't name more than a couple of good drum'n'bass acts, and I have no idea what's big in the dance world right now.
I like things matching. I have an upright bass, a drum kit and a grand piano that's the same color. I tend to overthink things.
I just love the hypnosis of a single bass drum.
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