A Quote by Phil Elverum

Nirvana was happening when I was 14, kind of the perfect age. Growing up in Anacortes, Washington, it was close enough to Seattle that it seemed like a local thing.
I got into Nirvana, and it was my sort of awakening into the idea that music could be like rough and crazy and local. And so I started to realize that there were bands playing in my town, Anacortes.
Nirvana was like that- Nirvana was like the only band to come out of that- it was like the same thing, Seattle was like this whole scene and it was like this big scene that was thrust upon America.
It's challenging to live in Anacortes. I lived in Olympia for five years, went on tour for a year, ended up in Norway for a winter, and ended up back in Anacortes. But I have a long life ahead of me. I'll probably live in many different places, and then die in Anacortes.
One of my favorite places is Seattle. Growing up, I never thought I'd be able to go to Seattle. I grew up in eastern South Carolina, so that's as far as you can get from Seattle, unless I lived in Miami.
Seattle isn't known for a particular production sound, so that leaves a lot of great producers in Seattle doing kind of their own thing. And I think, for me, I was probably enough removed from hip-hop that my style was even a little bit weirder than that.
Being twins, growing up extremely close like we did, the one thing that you kind of always wish the maximum amount of success for your brother.
Us being twins, growing up extremely close like we did, the one thing you kind of always wish is the maximum amount of success for your brother.
Seattle has a long tradition of celebrating local and non-local art - from the Burke and Seattle Art Museums to the Asian Art Museum.
In Vegas, you have an audience you can't find anywhere else. It's from all over the country. You play Seattle, everyone's from Seattle. But in Vegas, you have six from Seattle, a bunch from L.A., some local Las Vegans and maybe a farmer from Iowa. In Vegas, you learn the ins and outs of holding a room because of that great spectrum of folks.
Vancouver is an amazing city and luckily, growing up in the Seattle area, I was able to immerse myself into the culture at a young age, traveling back and forth across the border for skating competitions as a youngster.
In growing up in Seattle, I don't know a single family that didn't barbecue or cook on the weekends and make its own kind of simple, pared-down, what I call Pacific Northwest cooking.
Rome, like Washington, is small enough, quiet enough, for strong personal intimacies; Rome, like Washington, has its democratic court and its entourage of diplomatic circle; Rome, like Washington, gives you plenty of time and plenty of sunlight. In New York we have annihilated both.
When it comes to grunge or even just Seattle, I think there was one band that made the definitive music of the time. It wasn't us or Nirvana, but Mudhoney. Nirvana delivered it to the world, but Mudhoney were the band of that time and sound.
Growing up where I did, I came from a politically progressive family so I was aware of social issues, but it seemed like a very separate thing from film.
I am not perfect." It came out in a rush of breath. "See I thought I was. Thank God I ain't. See a perfect thing ain't got a chance. The world kills it, everything perfect. (Listen to him!) Now see a thing that ain't perfect, it grows like a weed. Yeah, like a weed! A thing that ain't perfect gets hand clapping, smiles, takes the wire an easy winner. But the world ain't set up right if you perfect. You lible to run right into a brick wall. Looks like suicide. All the weeds say, looka there, it suicide!
I started playing on my grandmother's organ at a really young age. I learned 'Chopsticks' and that kind of thing, but I didn't really start picking it up and start taking it super seriously until I was probably about 13, 14.
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