A Quote by Phil Elvrum

I am still not taking my "career" in music for granted. It is constantly surprising that it works. Generally my thinking about the future has this assumption of an impending apocalypse.
I am not taking for granted a call-up to the England squad or making any assumption about my future international career.
What is important for me is playing cricket and not thinking about how my Test career is shaping up. I am not into future planning and all. I am concerned about my present and not the future.
So much of what deejays like myself do is, I'm very interested in - I'm constantly looking for new music, constantly digging, but then also I am thinking about how to present it in a way that kind of makes sense to people who are less - sort of less with their hands in it than I am.
Tocqueville talked about "ceaseless agitation," citizens constantly use their institutions, constantly challenging them, constantly insisting upon their rights. It's also individuals taking responsibility for other individuals, recognition that no democracy works if they're weaklings.
I found myself at a time in my career trying to impress everyone. I was constantly thinking about what everyone thought of my music.
There are two kinds of people: one who goes on thinking about the future, not bothering about the present at all. That future is not going to come, that future is just a fool's imagination. I don't think about the future. I am a totally different kind of person. I don't think about the future at all, it is irrelevant.
I am always thinking about writing music; my wife is constantly asking me: 'Is there any way you can turn off the music part of your brain for a minute?' but I really can't! It's my form of therapy.
I am constantly thinking ahead to what I want to write about in the future, and when I'm done with one project, I give myself a little time and then start the next one.
I want to pursue music in the future, but I'm taking it a step at a time and making sure I'm constantly growing.
The apocalypse is not something which is coming. The apocalypse has arrived in major portions of the planet and it’s only because we live within a bubble of incredible privilege and social insulation that we still have the luxury of anticipating the apocalypse.
To be moral involves taking a position towards that matrix, thinking critically about what is taken for granted.
I'm constantly thinking about what I'll do next. I never count on music being a career of longevity. I mean, longevity is key, and I hope that it lasts, but you just don't know, because it's not in your hands, you don't make the decision.
Our entire society is based on discontent. People wanting more and more and more. Being constantly dissatisfied with their homes, their bodies, their décor, their clothes, everything – taking it for granted that that’s the whole point of life. Never to be satisfied. If you are perfectly happy with what you got, especially if what you got isn’t even all the spectacular then you’re dangerous. You’re breaking all the rules. You’re undermining the sacred economy. You’re challenging every assumption that society is built on.
When I'm playing music I'm usually not thinking of surfing, just because I'm usually thinking about the chords and the lyrics, and sometimes that messes me up 'cause you'll start thinking, "Wait, how am I doing this?" But when I'm surfing, I'm usually thinking about music - whether it's an idea for a new song, or just singing a song in my head.
I am like a child ready for the apocalypse, I am the apocalypse itself, that is to say, the ultimate and first event of the end, the unveiling and the verdict.
If I think about music in the future, I imagine it often as not involving electricity, in some dystopian, post-apocalyptic future. And that's what I get from Penderecki: people making music by taking these instruments out of boxes and playing them. That's a very bizarre and modern thing.
This site uses cookies to ensure you get the best experience. More info...
Got it!