A Quote by Phil Foglio

If we had to go live action, I'd hold out for Tim Burton to direct. — © Phil Foglio
If we had to go live action, I'd hold out for Tim Burton to direct.
What I really learned from Tim Burton is that it's important to have your own person in a role because you can't play a character unless there are elements of human behaviour that you yourself understand. I was really struck by how Tim Burton would like to sit and chat about you... or question things which then you had never thought about. It is a good thing to always step back a bit with things like that. But I try my damned hardest to learn something from everything I do.
Working with Tim Burton is like a psychic experience -Tim waves his hands and says, 'I don't know,' and you go home and do it. He's the most articulate nonverbal person in the world. He doesn't say a word, and you know exactly what it means.
It was Tim Burton's 'Batman' in, what, '89, I think? What we could see was there was someone behind the curtain controlling all of this, and you could see it from one Tim Burton film to the next, that the guy who made 'Edward Scissorhands' also made 'Batman.' You could connect the dots because his style was so distinct.
These last few years, working with Tim Burton, it's been the best time I've ever had.
Tim Burton is an artist who has had a huge influence on me. I definitely share his sensibility. It's a joyful approach to darkness.
Tim also has enough confidence so that it always looks like a Tim Burton film, but it really is collaborative. You're allowed to do it your way but of course he's always going to choose his way.
Tim Burton, let's face it: he's into stitches.
I'm an enormous Tim Burton fan.
I am definitely a Tim Burton fan. I had seen 'Edward Scissorhands' enough times to know it by heart. That's exciting: to work on something you feel like you really get.
I want to be in a Tim Burton movie so bad.
My worst audition was for Tim Burton for 'Batman.'
I really want to work with Tim Burton and Johnny Depp.
Because the world of this film begins and ends in the imagination of Tim Burton, you're not seeing a movie that's been shot on locations that you've seen a million times. Because this world has no rules, you're seeing so many different and separate brushstrokes and colors and characterizations somehow getting combined through Tim.
Tim Burton - he's not exactly a subtle filmmaker. I mean that in a good way.
For Tim Burton's birthday I gave him a rainbow beetle. He loved it!
My favorite movies are from directors that have a vision, like Wes Anderson or Tim Burton.
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