A Quote by Phil Gingrey

I don't have hard edges. — © Phil Gingrey
I don't have hard edges.

Quote Topics

We're always attracted to the edges of what we are, out by the edges where it's a little raw and nervy.
When you are doing a lot of hard fast field work, it's a physical necessity to forget every day. You can't try to remember it in any continuity. You get so burdened if you try to do it the other way. You can't dictate to your material... We found our way in, slid in on the edges. We used our hunches. And it was hard, hard living.
'Do not touch ontologically' doesn't mean 'are separated by empirically measurable hard edges.'
Go for the edges. Challenge yourself and your team to describe what those edges are, and then test which edge is most likely to deliver the marketing results you seek.
It's hard to get out of the barrel. It's slippery around the edges and people are happy to see you fall back in.
I think the best pictures are often on the edges of any situation, I don't find photographing the situation nearly as interesting as photographing the edges.
n the dark everyone felt the same: the edges blurred. When I think of myself then, what I was like two years ago, I feel like a wound in a bad place, prone to be bumped on corners or edges. Never able to heal.
We believe that we invent symbols. The truth is that they invent us; we are their creatures, shaped by their hard, defining edges.
The worlds I paint leave a lot to engage the imagination by hinting at what lies beyond the four edges of the painting. I think getting beyond the four edges of an opportunity or challenge is one of the basic skills you need in business.
If not just the brain but the quirks that made the individual were composed of recycled matter only, it was hard to be sure where the edges of one such being ended and another person began.
Frankly, I'm mainly telling the story to myself. Thinking about audience is too daunting, and worst case, invites you to homogenize, to soften the hard edges of things.
The fundamental idea of these pylons, or great archways, is based on a method of construction peculiar to me, of which the principle consists in giving to the edges of the pyramid a curve of such a nature that this pyramid shall be capable of resisting the force of the wind without necessitating the junction of the edges by diagonals as is usually done.
I'm not interested in edges. I'm interested in the mass and color, the black and white. The edges happen because the forms get as quiet as they can be. I want the masses to perform. When I work with forms and colors, I get the edge.
I'll tell you, my friends: it's all in the nerves. The nerves that tense and relax as you approach the edges of companionship and love. The razor-sharp edges of companionship and love.
For me, writing is an experience. It's an exercise in which I want to discover myself by taking my characters to the edges of human experience, to the edges of themselves and then, asking certain questions - about love, what does it mean to love? What's beauty? What is true beauty?
I think the gender story will become less fraught with hard edges - and not that we'll have androgyny, but that men and women will move more fluidly into each other's domains.
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