A Quote by Phil Harris
If the record was picked up by Dot Records, I would imagine that they would have wanted both sides of the record to be something by Lou alone which would account for the dropping of 'So Blue'.
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Both my parents worked, so I was home alone a lot, and I would listen to their records. They belonged to the Columbia House record club, so they had records!
I don't think any of us felt like, "Oh, we need to put joke songs on the record." If we found something funny, we would record it, and if we wanted to, we'd put it on the record. It's not really something we spent too much time agonizing over.
In the '70s, anybody who was a connoisseur of collecting vinyl had the velvet brush. Remember the velvet brush? It would clean the record, and you would only grab the record from the sides and you would carefully slide it into the jacket. I never had a velvet brush.
It would be really nice to make a record that would be super-fun to play live - a record that would be funny, with a little bit of heart.
I think I gave indications early on that mine wasn't just going to be a commercial, er, career. If that were the case, then the first record would have been 10 versions of 'Loser.' I always thought it would be interesting if there was no such thing as gold and platinum records, or record deals, and people were just making music. What would the music sound like?
My music has always been sort of in between categories. Sometimes record stores - back when there were record stores - they'd put my records in the country music section, but other record stores would put my records in the pop or even the rock section. As long as it's in the store somewhere, I'm OK with it.
My music has always been sort of in-between categories. Sometimes record stores - back when there were record stores - they'd put my records in the country music section, but other record stores would put my records in the pop or even the rock section. As long as it's in the store somewhere, I'm OK with it.
My dream many years ago would've been to continue to write and record songs in record/album form for years to come, but now records aren't what they were then - and so it doesn't actually feel very good to make a record of songs.
No, if it was up to me every record would be brand new studio material but Atlantic records asked me to put out a full live record because my tour really did do well last year.
Well, it's such a record that you can only compare it with Bob Beamon's long-jump world record set in the 1968 Olympics in Mexico. At that time it seemed that it would never be broken. Tendulkar's 50 Test centuries is one such records which doesn't look like being surpassed
I waited, and I’m sure Elvis did too, for each Ricky Nelson record like we would a Chuck Berry record or a Fats Domino record, to see what was going on. I used to say to some of the guys that Ricky Nelson learned to sing on million selling records.
With 'City of Black & White,' I wanted a record that would make you feel good, that would sort of take you up in its hand and sweep you along.
I would advise you to get all of your blessings written and preserve them...I do feel to enjoin it upon you to make a record of every official act of your life. If you baptize, confirm, ordain, or bless any person or administer to the sick, write an account of it. If every man will do this, the Church can write a correct account of it...if the power and blessings of God are made manifest in your preservation from danger...you should make a record of it. Keep an account of the dealings of God with you daily. I have written all the blessings I have received, and I would not take gold for them.
I would give someone a record so they could love the record, not so they would always know that I gave it to them.
What I hankered for was an account of knowledge which would do far more than get our intuitions about cases right; I wanted a kind of account which would somehow be explanatory.
I do not want and will not take a royalty on any record I record. I think paying a royalty to a producer or engineer is ethically indefensible. The band write the songs. The band play the music. It's the band's fans who buy the records. The band is responsible for whether it's a great record or a horrible record. Royalties belong to the band. I would like to be paid like a plumber. I do the job and you pay me what it's worth.
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