A Quote by Phil Harris
The way they had the room that I was in set up, there was some sort of sound deadening platform that I had to stand on in order to get close enough to the microphone.
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My sister had her own room. She also had innumerable boyfriends. I had a yo-yo collection that was beyond belief, and the reason I had it was mostly that I would stand in the doorway of the living room watching her and her boyfriend. Finally she caught on how to get this kid out of the way. Give him a yo-yo!
In a certain way, my work had set me up to be against lots of things. If there wasn't some sort of sanction for it in the public world, it might have been...it wouldn't have been tolerated, because people don't want things to get shaken up.
We had no money, and we had to go through 'punk' school. We ended up living in the rehearsal room that used to be the Sex Pistols rehearsal room at Malcolm McLaren's office. So we had this sort of interesting beginning.
Man, if I get a chance to speak on the microphone, I've got to say something somewhere in there. You know, I'm going to laugh and have fun, too, but something has to be said that has some substance, because this is a platform, and the power that we have with words and with this microphone is phenomenal.
Stand-up comedians know how to walk into a room, even if you're not performing, just read the temperature of a room, and can easily sort of tell what's going on or what people are sort of feeling in the room, and it allows you to sort of approach people.
No, I never really set out to be a stand up. I wanted to be a writer of some sort. I thought I'd do a bit of stand up and hopefully that will lead to stuff and little did I know it kind of snowballed. Before I knew it I was doing stand up 300 nights a year.
In New York, I'm playing in a church, solo, doing instrumental stuff. There's talk of doing more, like, installation-type things with some of the specimen horns I've played through. Just filling a room in a museum with these horn-speaker sculptures and then making loops that run all day, and you walk around the room and sort of mix the sound by where you stand. That's all way in the future, but that kind of stuff is a different way of thinking about performing.
I did try and do some spooky stand up once, and some of my stand-up had - I tried to do some horror stand-up, but it didn't really work very well.
I was lucky enough to go to an all-boys prep school in upstate New York that had a film program, so we had access to 16mm Bolex cameras, Nagra sound recorders, Arriflex cameras. We even had an Oxberry animation stand!
My dark sound could be heard across a room clearer than somebody with a reedy sound. It had more projection. My sound always seemed to fill a room.
There's something so awesome about being able to get up in front of a microphone and do exactly what you want. Stand-up is as close as you're ever going to get to being 100 percent in control of a situation artistically, and I don't understand why people wouldn't want to keep doing that.
Pippin glanced in some wonder at the face now close beside his own, for the sound of that laugh had been gay and merry. Yet in the wizard's face he saw at first only lines of care and sorrow; though as he looked more intently he perceived that under all there was a great joy: a fountain of mirth enough to set a kingdom laughing, were it to gush forth.
Rose had the sort of eyes that manage perfectly well with things close by, but entirely blur out things far away. Because of this even the brightest stars had only appeared as silvery smudges in the darkness. In all her life, Rose had never properly seen a star. Tonight there was a sky full. Rose looked up, and it was like walking into a dark room and someone switching on the universe.
You have to sit with the songs until they start to live. Or do things straight-up spontaneously. I set up a beat just like I do in the live show, add the lyrics that I wrote in thirty minutes - I already had a topic in mind because I had this crazy experience with this girl who was trying to get close to me and it freaked me out because she was really close to another friend of mine, and I thought, "This is a story, I'm gonna make this into a song."
Pain is like a new room in your house that you never knew you had. If you had known, you would have bolted and locked the room past any entering. But truly, it is a room like any other, four glaring white walls and a dark hard floor, and if you don't try to get out, it is possible to remain in it. Once you tried to get out, you ... couldn't ... stand ... it. Don't think of getting out.
Where I grew up, we had enough to get by, and we had a lot of love. That took me a long way.
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