A Quote by Phil Heath

Get over it people, I worked my ass off. — © Phil Heath
Get over it people, I worked my ass off.
A lot of people relate my success now with The Voice, and it has nothing to do with that. I've definitely worked my ass off for a year afterwards trying to get that off of my forehead. If anything, it's actually harder to get labels to look at you when you come off a show like that, and it's harder for people to look at you like a real artist.
I worked my ass off to earn what I have. You have to understand, not many people where I come from get to experience this kind of life.
I had $60,000 for my first movie. I was 33 before I made any money off of movies. I worked my ass off for free. To get that I'm "enemy number one" among young kids is a little absurd.
It's just interesting how people relate my success when I would like to think that I worked my ass off for a reason and that it's about the music and not because I was on a TV show.
I think people sometimes don't pay enough attention to what they do. I've done well, but the reason is pretty simple: I've worked my ass off. The toughest thing a performer can do is make it look as if it comes easy.
I've always just done things that come naturally, and that's always been surrounding myself with artists that I respect and that are way better at what they do than at what I do. I've worked my ass off to earn the right to get a shot.
Spendin all the money I just worked my ass off for doing things that I won't regret.
You sometimes get the sense that when people make sequels, they get conservative. If something worked, they do it over and over and over again.
I'm going to write a book someday and the title will be I'm an Ass, You're an Ass. That's the most liberating, wonderful thing in the world, when you openly admit you're an ass. It's wonderful. When people tell me, You're wrong I say, What can you expect of an ass?
I'm not lazy, but I don't have that spur on my ass that most people have, like, "Oh, god. I have to get something out or else my career will be over!" I don't really care if my career is over.
Every November, during the certain holiday people love so much, people take a dead turkey, open up the dead turkey’s ass, or carve out a really big hole in their ass, take some stuffing and shove it inside their dead empty ass, and use the little dead ass as an oven to bake some bread. Somebody else’s dead empty bacteria-laden ass to make bread? Ass bread?! And people think vegans are weird? Because we eat tofu? And rice, and beans, and lentils?
I remember my agent at the time called me and was like, "I've got it! I've found it! I've found your role!" I worked my ass off to get that role, because I think me and three or four other girls tested for it. But it was a great time.
I'm sitting, waiting to get on the freeway, and I'm waiting my ass off. I look over at the side of the road, and there's a hitchhiker with a sign and it says, 'Pick me up, and you can drive in the carpool lane.' I got to tell you, he was kind of smelly, but he was a good conversationalist.
With voice acting, it liberates you to play characters you'd never do in a million years because you're physically not right. You can show up looking like hell, you don't have to memorize your lines because you can read them right off the page, and you get to play the most fun parts. You come in and you kick everyone's ass and you get your own ass kicked, and then you go home.
My mom was a pretty hard worker. She worked her ass off, but I'd say we were middle class. I had a car in high school, so I loved the idea that I could mimic this lifestyle.
I have a tradition of working with actors, over and over again. I've worked with Jason Bateman, over and over again. You get to know an actor, and you get a certain trust and a comfort, and you become really good friends, and you feel like you've got a short-hand.
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