A Quote by Phil Heath

I train as smart as I can. I'm not concerned what others think. I do what works for me. — © Phil Heath
I train as smart as I can. I'm not concerned what others think. I do what works for me.
Stay open-minded; stay focused. Train hard and train smart. For me, the older I get, the smarter I have to train also, because the recovery time is longer. Work on everything: become a well-rounded fighter - don't just be good at one thing; be good at everything.
I believe in Duane Ludwig as a coach. I love the guy. I train with him. Me and him mesh. When you find something that works, you keep it going. Me and him see eye to eye. We train well together.
If you have time to be with a dog, and the dog is smart, you come to understand the dog, and the dog understands you. They're not hard to train. But they have to be smart, and you have to spend time with them. It's like coaching. I was a better coach when I had smart players.
Train smart at all times and do your best to avoid injury. Training smart is more important than training hard.
I think Jennifer Lopez is a phenom. And as far as I'm concerned, she's really a very smart businesswoman.
I wasn't a smart kid and I still don't think I'm too smart when it comes to book smart, but I was very good with what I knew and with my craft and I think that was my calling in life. But even today I never went to college.
I'm a pluralist about perspectives on literature. There seem to me to be all sorts of illuminating ways of responding to major literary works, some of them paying considerable attention to context, others applying various theoretical ideas, yet others focusing on details of language, or linking the work to the author's life, or connecting it with other works.
I think for me I've always loved being in the water and I love training and I love being at the pool so you know it's not a chore for me to go training, but come race day I would never just train to train - I train to race.
My teaching forces me to articulate what I think works in a piece of fiction and how I think it works. All of that gives me energy as a writer.
I'd rather play a tune on a horn, but I've always felt that I didn't want to train myself. Because when you get a train, you've got to have an engine and a caboose. I think it's better to train the caboose. You train yourself, you strain yourself.
And the best way to quit being concerned with yourself is to be concerned about others.
The biggest danger is that actors become entirely too dependent on the idea of training. They think that if they continue to train and train and train, it's going to make them better.
I'm not saying that I don't experience people in life as evil, but writing is not a place of alienation; writing is the place where we can try to be human. I think there are some artists whose works are misanthropic. When I see this kind of stuff, I think, they're smart, but I don't need art to tell me people are assholes. I can just go into the streets.
Take care of yourself. Eat well, rest, train hard and smart, make time to think and breathe. Be intentional with your time.
My parents have a ridiculous work ethic; my dad just works, works, works, works, works. I think it would be hard to find a guy who's logged more hours than that guy.
I think one of things is that all fantasy it seems to me works the way your brain basically works. This is perhaps a startling concept, but I think it's true.
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