A Quote by Phil Hellmuth

When I started playing, I saw a lot of people who were 45 and unhappy. I told myself I'd never be in a position where I had to play all the time. And I haven't been. — © Phil Hellmuth
When I started playing, I saw a lot of people who were 45 and unhappy. I told myself I'd never be in a position where I had to play all the time. And I haven't been.
I got up and saw my face in the mirror and saw the horror. When they did the surgery on me, they took out 67 glass pieces. There were a lot of movies that I had lined up for myself during that time, and I had to let it go. I didn't want people to know because, at that time, people were not that supportive.
In 1992 I was doing one of my first ever tours and I was in Heathrow airport and I saw these middle-aged musicians who had clearly been on tour for decades, and they all looked haggard and unhappy and unhealthy. I vowed to myself that I would never be that person. Flash forward 20 years and I found myself in Heathrow looking haggard and unhappy and unhealthy. I decided I would rather spend my time staying home working on music and making dinner with friends, instead of spending six months in a hotel in a state of depressing suspended adolescence.
I wasn't popular in school, I was Mexican, I was all these inappropriate things. I started playing the ukulele and taking it to school, and I realized people liked listening to it. I would play it to comfort myself at home, and I'd play rhythm and blues songs that had four chords. That's how it started.
I saw myself. . . in the time I watched, I saw strength and frailty, pride and vanity, courage and fear. Of wisdom, a little. Of folly much. Of intentions many good ones; but many more left undone. On this alas, I saw myself a man like any other. But this too I saw . . . Alike as men may seem, each is different as flakes of snow, no two the same.You told me you had no need to seek the Mirror, knowing you were Annlaw Clay-Shaper. Now I know who I am: myself and none other. I am Taran.
When I first started playing, I definitely had a younger scum-punk crowd, but as my music developed more and after I started playing electric guitar - you'd think it would be opposite - but a lot of people were like, "You've changed." And I have more of an older audience now.
The whole time I was on 'Grey's,' I'm still reconciling myself to my 11-year-old son, because he never saw me during that time. By the time he got up, he'd see a dent in his pillow, but by the time I got home, he was already asleep. So for three years, he had a daddy that he never saw because I had to work.
I was a baseball player and a football player at Stanford, so I didn't play a lot of golf in college. I really started playing a lot after I turned pro and I had some time in the off-season.
I've been teaching myself the fundamentals and being around some good players, but also been learning to play team games, playing 3-on-3s, playing 1-on-1s, playing 5-on-5s, playing 21. There are guys bigger than me on the court, but I've had numerous comparisons to Ty Lawson.
I wrote as a kid, but I never wanted to be a writer particularly. I had been drawing and painting for years and loved that. And I meditate, and one time when I was meditating, I started thinking, "Gee Gail, you love stories -- you read all the time. How come you never tell yourself a story?" While I should have been saying my mantra to myself, I started telling myself a story. It turned out to be an art appreciation book for kids with reproductions of famous artworks and pencil drawings that I did. I tried to get it published and was rejected wholesale.
I spent hours playing in the garden on my own. I used to play cricket with myself. I never remember thinking, I wish I had a brother or sister. I had a lot of friends, and that was fine.
If I started at 13, by the time I was 14 I was already good enough to play in front of people. I started off playing drums when I was 5, so playing in front of people didn't matter - not a problem.
Over the years I have photographed thousands of people. I have never stopped being curious and trying to discover new worlds. I have used my camera as a mirror for my subjects as well. I remember photographing a woman in her 80s for my book, Wise Women, who told me it had been a long time since anyone had really been interested in "seeing" or photographing her. When she saw the picture, she burst into tears. She saw something in the photograph, an inner beauty and soul, she felt had long ago vanished.
People, he thought, were as hungry for a sight of joy as he had always been--for a moment's relief from that gray load of suffering which seemed so inexplicable and unnecessary. He had never been able to understand why men should be unhappy.
I would never have picked up cycling had it not been for my disability because it just wasn't something I saw. You see someone riding past in their Lycra and it's normally white, middle-class males and I never would have seen myself in that position, being an elite cyclist.
In my position, I've always admired Claude Makelele. I grew up watching him play. I was able to play against him in the final stages of his career. I have always liked his way of playing football, and given my position and style, he's been a mirror to compare myself against.
I first started actually playing guitar when I was eleven years old. I had some neighborhood friends who told me they were starting a band and needed a guitarist. I told my folks, and by the next day I had a guitar lesson set up with a local teacher.
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