A Quote by Phil Jones

I've just completed Mike's [Mann] Nature trick of adding in the real temps to each series for the last 20 years (i.e. from 1981 onwards) and from 1961 for Keith's [Briffa] to hide the decline.
Keith's [Briffa] series...differs in large part in exactly the opposite direction that Phil's [Jones] does from ours. This is the problem we all picked up on (everyone in the room at IPCC was in agreement that this was a problem and a potential distraction/detraction from the reasonably consensus viewpoint we'd like to show w/ the Jones et al and Mann et al series).
Mike [Mann], can you delete an e-mails you may have had with Keith [Trenberth] re AR4? Keith will do likewise...Can you also e-mail Gene and get him to do the same? I don't have his e-mail address...We will be getting Caspar to do likewise.
I have a sidekick, Keith Robinson, who's very funny. I've known Keith for over 20 years; he's my best friend.
A friend of mine back in 1989 did an illegal rave in Vauxhall. He got Keith Haring to come along and tag the side of the wall. My friend cut it out of the wall and he kept it under his bed for 20 years. Then a few years ago he asks me if I want to buy it... so I spent £12,000 on a Keith Haring.
In the beginning of 'Jersey Shore,' for sure, that was the real Mike. That's the Mike that I know, that's the Mike I love. And that's the Mike I strive to be every day.
Mann's sexuality and his attitudes towards it are extremely complex - and the complexities are inherited in the figure of Aschenbach. Mann had lived through a series of (almost certainly unconsummated) relationships with young men.
This isn't a mass-produced...instrument. Mike Lull Custom Guitars makes each bass right here in the NW. Over 20 years of collaborating, designing, and building basses has gone into my model.
The cost of adding a feature isn't just the time it takes to code it. The cost also includes the addition of an obstacle to future expansion. The trick is to pick the features that don't fight each other.
The cost of adding a feature isn't just the time it takes to code it. The cost also includes the addition of an obstacle to future expansion. ... The trick is to pick the features that don't fight each other.
I have to say that in 1981, making those decisions, I felt like I was providing enough freedom for 10 years. That is, a move from 64k to 640k felt like something that would last a great deal of time. Well, it didn't - it took about only 6 years before people started to see that as a real problem.
A lot of opinions just really don't get to me. If anything, some of them were humorous and my favorite, you know - I'm Keith 'One Time' Thurman. I'm Keith 'Run Time' Thurman, Keith 'Sometime' Thurman, Keith 'Once Upon a Time' Thurman. That was pretty amusing.
I was born in 1961. Now I think the 16 years that elapsed between 1961 and the end of the wars is nothing. To a child growing up it felt like an eternity, an entirely different world.
Two Drink Mike enjoys dancing and knows a magic trick. Whereas, No Drink Mike enjoys biographies, and has serious opinions on wildlife. And Five Drink Mike... dances with wildlife.
I just would like to keep going. If I kept getting the kind of work that I've been getting for the last 20 years for the next 20, I'd be a bloody Dame of the British Empire. I'd be so happy.
i discovered that my obsession for having each thing in the right place, each subject at the right time, each word in the right style, was not the well-deserved reward of an ordered mind, but just the opposite: a complete system of pretense invented by me to hide the disorder of my nature.
I've been playing music for over 20 years now. I started playing when I was 14 years old. To everyone who has said I was an overnight success... where have you been the last 20 years?
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