A Quote by Phil Jones

Mom's always know how to make us happy, but they also know exactly how to make us cry. — © Phil Jones
Mom's always know how to make us happy, but they also know exactly how to make us cry.
The power of music is a wonderful thing. It can make us happy, make us cry. It can make us forget and make us remember.
We know how to convey exactly what we want to convey. We know how it makes us feel and we know exactly how to show our fans how to feel the same way.
In order to survive in a very small tribe, you needed to know how to do lots of things for yourself: how to make your tools, how to get food, and how to make your clothes - things most of us today don't need to know. The only thing I need to survive is to know history.
There's often a discussion about, 'Well, how do we know what happiness is? Is it real?' I've always argued that all of us know that there's a huge difference between how we feel when we feel happy and when we don't feel happy.
As we get older, we get better at choosing in ways that will make us happy. We do a better job at picking activities that make us happy, and at spending time with people who make us happy. We're also better at letting things go.
I rarely know exactly what I want to do, but always know exactly how I want it to make me feel. Feeling always leads the sound!
My mom has done an awesome job with all my brothers of instilling in us how to give back, how to make a difference. Everything I do is to try and make her proud.
Many people say, "Well, I'd love to make a decision like that, but I'm not sure how I could change my life." They're paralyzed by the fear that they don't know exactly how to turn their dreams into reality. And as a result, they never make the decisions that could make their lives into the masterpieces they deserve to be. I'm here to tell you that it's not important initially to know how you're going to create a result. What's important is to decide you will find a way, no matter what.
Each of us may think we know exactly what we need to make us happy, what will be good for us, what will ensure we have our happy ending, but life rarely works out in the way we expect, and our happy ending may have all sorts of unexpected twists and turns, be shaped in all sorts of unexpected ways
We're starting to realize that magicians have a lot of implicit know-ledge about how we perceive the world around us because they have to deceive us in terms of controlling attention, exploiting the assumptions we make when we do and don't notice a change in our environment. There is an enormous amount of really detailed instruction on how to perform magic. People are always blown away by how detailed a description you'll have.
Somebody who knows all about how to make the record, or how to make records, they know how to work the EQ and they know how to work the stuff, but they don't know what I want it to sound like. So it's just easier for me to do it myself.
How can the good God Who loves us so much, be happy when we suffer? Never does our suffering make Him happy; but it is necessary for us, and so He sends it to us while, as it were, turning away His Face. . . I assure you that it costs Him dearly to fill us with bitterness.
I don't know how to stop the atrocities. I don't know how to make people care. But looking into my sister's eyes, we seem to have carved out something between us that none of the madness can touch. Invisible threads.
How tragic it is that so often we stop everything just as we reach the starting line. We must move past the narcissistic preoccupation with getting the love we think 'works' for us. The point of love is to make us grow, not to make us immediately happy. Many of us have forsworn the chance for the deepest love in reaching out for the easier one.
We are confident. We have ourselves. We know how to sacrifice. We know how to work. We know how to combat the forces that oppose us. But even more than that, we are true believers in the whole idea of justice. Justice is so much on our side, that that is going to see us through.
I don't like being told that's where you, you know, if you walk on set and somebody was "okay, you're here and you're going to walk over there on this line." And my reaction is always how do you know? How do you know that's what I'm going to do? How do any of us know?
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