A Quote by Phil Jones

I feel like I have done a lot at United, I still have developed as a player and grown into myself, seen a lot of faces come and go. — © Phil Jones
I feel like I have done a lot at United, I still have developed as a player and grown into myself, seen a lot of faces come and go.
I feel like actors, having spent a lot of time on movie sets, tend to make decent directors, because they've been there, they know what they're doing, they've seen it done right, they've seen it done wrong, and they feel comfortable. There's not a lot of chin-scratching and wondering what your next move is.
I've done seven movies in eight years, and with each movie I feel like I'm learning a lot. I'm still young-ish, so I still feel like I'm in the zone of learning and creating. Those are the perfect places to do that. And in a weird way, you have a lot of freedom.
I didn't go to theater school. I didn't go to Julliard. But I've lived a lot. I've seen a lot. I feel like that makes up for a little bit.
Every player, when you get released, you feel like you still have a lot to offer. And that team is telling you, 'No, you don't have a lot to offer, so we're moving on.'
I still feel like there are so many things that I have to do to really become an icon. I've done a lot and laid down a lot of groundwork, but there's so much more work to be done. There's a lot more that I want to do, LGBTQ centers that I want to open. After I leave my legacy, then I will be that icon.
I've seen a lot of actors in a lot of different stages of their careers, and I've seen it come and go. People get a sense of entitlement from it. And that's when it starts getting you in trouble.
I'm a grown man. You know, I've been in a lot of scrapes, but I never felt like I got so - there are probably a lot of things I should have done that I didn't do.
I've love to do more movies. Just because I'm interested in the medium very much. I've done a lot of theatre at this point, and I've done a lot of TV. I've done a few independent films, but a lot of them have not seen the light of day. It'd be really nice to be in a film that gets out there.
A lot of street dudes, you know their grandma go to church every Sunday. A lot of people in the pen, a lot of that come from them running away from that. They seen they grandma always going to church, mama always going to church, but they still struggling. This the reality of some peoples' life.
There have been a lot of exercises and I've had to force myself to go out for walks even when I didn't feel like it, but apart from that, I am a lot better.
There are a lot of doors that still get shut, and there are a lot of walls to still breach. But, the stuff that does come across to me, or that I hear about or read about, that I'm willing to go out there and fight for, I still have to go audition. I do have a certain leeway to choose, from that group, what I want to say, as an artist.
I think there are people that still hold on that like Heavy Metal like a bit of what is going on now, but it isn't all of what they love and which goes on and it's the same with me... There's still a lot of Ray Charles, Sam Cooke songs that I still happen to like a lot, but then there are a lot of Madonna and... a lot of the female singers that I like as well, but it's like liking it with different emotions, you know.
I’ve grown a lot as a player. I learned a lot, and I just have to keep building on that.
You can't manufacture inspiration, so a lot of it is still a waiting game for me. There's still a lot of mystery to songwriting. I don't have a method that I can go back to - they either come or they don't.
I've grown up a lot. I've become more independent. I can talk to my parents more like friends. When I was going to college, I was still only an hour away from them.Now, after Idol and touring all over the place, I feel like I have become a lot more independent.
Go to Mozambique! As long as you don't expect to find flawless infrastructure, just go. Because this is a country where people have not quite grown accustomed to tourists. You still feel a genuineness that no longer exists in countries where tourism has been industrially developed.
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