A Quote by Phil Keoghan

A good storyteller can hold everybody captive without the special effects of Hollywood. — © Phil Keoghan
A good storyteller can hold everybody captive without the special effects of Hollywood.
I think some of the special effects in Close Encounters hold up better than the new more expensive special effects is because they were better actually.
I didn't go to the special screening on a spaceship where everybody goes to have their special screenings...Everybody knows that's what happens in Hollywood.
Anything you strive to hold captive will hold you captive, and if you desire freedom you must give freedom.
Special effects are characters. Special effects are essential elements. Just because you can't see them doesn't mean they aren't there.
I'm frustrated with Hollywood and television and the movies because they see science fiction as an excuse for eye candy, for lots of great special effects.
There were challenges with production because of the special effects. There are just some things that, although written, special effects just isn't able to do.
I have a DVD of 'Lois & Clark,' and I don't know how the special effects hold up, because all the technology's gotten so much better. But the writer - the woman that wrote 'Lois & Clark' - I think those stories were good.
Nowadays, you can't broadcast dodgy special effects and then put up a caption saying, 'Sorry, this is what the budget was.' You have to do it with high production values because the audience has been spoilt by the special effects on things like 'The X Files' and 'Independence Day.'
There is a lot of use of ProTools in professional studios, but this is mostly for the special effects it allows, not for sound quality. These special effects soon fall out of fashion, and I don't think this trend will define studios permanently
There is a lot of use of ProTools in professional studios, but this is mostly for the special effects it allows, not for sound quality. These special effects soon fall out of fashion, and I don't think this trend will define studios permanently.
Usually, when special effects get in the way, it's because the story isn't strong enough. If you don't start with a strong screenplay, it's easy to fall back on special effects, thinking it's going to carry you. But it never works. It's just tiresome.
What good's a captive without her captor?
And if Hollywood has taught us anything, it's that cool props and special effects are not enough. Story comes first. Everything depends on story.
I'd like to act in a film without special effects.
I wanted to hold onto and exploit the power of narrative. This is not only a book about a great storyteller, but there have to be stories about the storyteller.
Really successful designs can be created without software produced "special effects." Identities do not NEED bevels, gradations, 3-D imagery, Web 2.Oh-Oh and other oh so "special" treatments to be great design solutions for clients.
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