A Quote by Phil Klay

I did try to write in Iraq, and I failed. I think you just don't have the brain space for it. — © Phil Klay
I did try to write in Iraq, and I failed. I think you just don't have the brain space for it.
I think I may try and write something about my pretty extraordinary experience with the 101st in Iraq.
Iraq has been overrun by ISIS because Hillary Clinton failed to renegotiate, Hillary Clinton, Hillary Clinton, Hillary Clinton failed to renegotiate a status of forces agreement...And so we removed, we removed all of our troops from Iraq and ISIS was able to be conjured up in that vacuum and over run vast areas of Iraq.
Oh, I don't think religion has failed. It's man who has failed. Christ hasn't failed. The Gospel hasn't failed. The teachings of God have not failed.
There is no battle space the U.S. Military cannot access. They said we couldn't do Afghanistan. We did it with ease. They said we couldn't do Iraq. We did it with 150 combat casualties in six weeks. We did it so fast we weren't prepared for their collapse. There is nobody we can't take down. The question is, what do you do with the power?
A startup is literally just a series of unfortunate events where you failed, failed, failed, and failed until you succeed.
Most architects think in drawings, or did think in drawings; today, they think on the computer monitor. I always tried to think three dimensionally. The interior eye of the brain should be not flat but three dimensional so that everything is an object in space. We are not living in a two-dimensional world.
Having written both comedy and drama, comedy's harder because the fear of failure's so much stronger. When you write a scene and you see it cut together, and it doesn't make you laugh, it hurts in a way that failed drama doesn't. Failed drama, it's all, 'That's not that compelling,' but failed comedy just lays there.
I try not to write more than two or three, I try to just write one if possible, I write till the end at least a draft of a play or a novel; but sometimes, I'll take a break for a couple weeks for a project that is paying me money like a television project which I try to stay away from just to stay financially ahead of the game.
I really see the U.S. staggering under the burden of three blows. One is 9/11 and the threat of terrorism, which is still huge in Syria, Iraq, and elsewhere. The second is the failed 2003 war in Iraq, which cost so much and ruined America's credibility in the eyes of so many. Obama has repaired it to some extent, but those scars are deep. And then, thirdly, banks failed, the whole real estate market had the carpet pulled out from under it.
Once in a while, when I first started to write pieces, I would try to write to a reader other than myself. I always failed. I would freeze up.
I failed eating, failed drinking, failed not cutting myself into shreds. Failed friendship. Failed sisterhood and daughterhood. Failed mirrors and scales and phone calls. Good thing I'm stable.
YouTube began as a failed video-dating site. Twitter was a failed music service. In each case, the founders continued to try new concepts when their big ideas failed. They often worked around the clock to try to overcome their failure before all their capital was spent. Speed to fail gives a startup more runway to pivot and ultimately succeed.
It's fun for me to try to write concise, compact things. It's a very good exercise for me. And I think it's important to try to do different things - change what I write about, and also the way I write. Otherwise, I'd just be repeating myself, which wouldn't be good for me or fair to my readers.
I decided at 40 I was wasting entire chunks of my brain and didn't want to blow my one chance on Earth. I'm glad I made that decision. Writing is largely about time, while visual art is largely about space. Sometimes, as with film, you can hybridize, but I think it's basically the space part of my brain wanting equal footing with the time part.
I really look up to writers who are able to write compressed, single-scene stories, where everything happens in a kitchen. But I just can't think that way. For me it would be impossible to write a story where I didn't know what someone's parents did and what their grandparents did and who they used to date.
Going to space was a moment that people think was my Mount Everest, but it's not. I have so many Mount Everests. This just happens to be one of them. It has changed the way I approach things. I realize it's not about me; it's about what I did and about the person we had as a Canadian woman in space. I look at pictures of myself and say, 'That's the woman who did it'.
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