A Quote by Phil Klay

War is complicated and intense, and it takes time and thoughts to understand what it was. — © Phil Klay
War is complicated and intense, and it takes time and thoughts to understand what it was.
Whenever I start a 'Potter' film, I get these dreams. The last dream I had, I was in a war and the sky was blotted with broomsticks and I couldn't find my wand. It was so intense. I always have mental, intense, war wizard dreams when I'm doing the films.
If you don't understand weapons you don't understand fighting. If you don't understand fighting you don't understand war. If you don't understand war you don't understand history. And if you don't understand history you might as well live with your head in a sack.
Truth is stranger than nonfiction. And life is too interesting to be left to journalists. People have stories, but journalists have 'takes,' and it's their takes that usually win out when the stories are too complicated or, as happens, not complicated enough.
Was everyone else really as alive as she was?...If the answer was yes, then the world, the social world, was unbearably complicated, with two billion voices, and everyone's thoughts striving in equal importance and everyone's claim on life as intense, and everyone thinking they were unique, when no one was.
When we come to nonattachment, then we can understand the marvelous mystery of the universe: how it is intense activity and at the same time intense peace, how it is work every moment and rest every moment.
To effectively debate ideas and discuss complicated issues takes time.
It's a big, big advantage because understanding what changes we might make takes time and it takes time to work out settings and to understand everything about the new machine.
My high school experience - and I think a lot of people feel this way - was complicated and intense, and I learned a lot about female relationships during that time.
Maybe from the outside, Belgium looks complicated to understand, but from the inside, actually, every country is complicated.
During the 1980s, international interest in the Nicaraguan war was intense. No conflict since the Spanish civil war had provoked such passion around the world. It was a classic good-versus-evil war.
It's one of my favorite times of day. I'll have an array of notes, things that I want to think about. Something will start to take shape, and I'll play around with it. It's not usually an intense time. It's sort of a playful time. But it's when some really good thoughts arise.
Losing faith is a complicated business and takes time. There are no epiphanies, no "moments of truth." It takes much thought and concentration in the later phases, which thenselves come about through an accumulation of small accidents: examples of general injustice, misfortune falling upon the godly, prayers of one's own unanswered.
I don't call myself a method actor, but the thing is, when you meet Reynolds Woodcock, who is always Reynolds Woodcock, you kind of are Alma, and you kind of become Alma all the time. I think after the first day, Vicky was going, 'Oh gosh.' It was so intense, and I couldn't understand why it was so intense.
The meaning of art in a time of suffering, a time of war, is much more intense. People are more focused.
'Carol' takes place at a time the country was crawling out of the shadows of the war years, feeling the new vulnerabilities of the Cold War and conflicts within the union.
Also for me, I don't make endless movies back to back all the time, I really sort of come to understand and love the characters that I play. And with April and Hanna you sort of go through a weird period of feeling sad about letting them go. Sometimes that takes me a week and sometimes it takes me a couple of months, just so that I can feel I can realign my own thoughts again. I do feel really, really blessed that I've had these opportunities.
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