A Quote by Phil Klay
If we fetishize trauma as incommunicable, then survivors are trapped - unable to feel truly known by their nonmilitary friends and family.
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I believe that at the beginning of the life of every artist there is some kind of trauma. We have a problem and all of our life we try to speak about this problem. My trauma was historical. When I was three or four, all the friends of my parents were survivors of the Holocaust; they spoke a lot about that. My father was hiding during the war, it was something totally present when I was a boy. It is sure that it has made me.
What inspired me most was the resilience of the Cambodian people. The country is still living with the trauma of the brutal Khmer Rouge regime. People lost everything - family, friends. The rich culture of Cambodia was nearly extinguished. They are a nation of survivors. And while poverty and infant mortality affect a disproportionate amount of the people there, those I met were hopeful for the future and doing the best they can with
what they had.
All I treat at the hospital is trauma survivors.
I think it's so isolating to be trapped in your mind like that, when you doubt yourself, you doubt everything you've ever known. You doubt your family love you. You doubt your friends care for you.
I feel a lot of sympathy for the young women I've written about, including Younger Janice. I think that all of them (me in Girlbomb, Samantha in Have You Found Her, and Elizabeth in I, Liar) had some early family trauma that contributed to their dysfunctional methods of dealing with the world, but I wouldn't call them/myself victims - survivors, maybe, but not victims. Nor do I think of them/myself as con artists.
I have very few friends. I have a handful of close friends, and I have my family, and I haven't known life to be any happier.
When our response to all trauma is to call the police, then that gets us into a cycle of perpetuating trauma. Mental health trauma is different from somebody breaking into a store. Those are not the same things, and our response has to be different.
There's a generation of people that do fetishize books and do fetishize catalogues and do look at them as something important. The same thing with magazine culture: because magazines don't make the amount of money that they used to, it's become important again to another generation of people to actually read them. And it's very, very pinpointed to the select people that actually fetishize and go in and look at them.
If we take a hard look at what poverty is, its nature, it's not pretty - it's full of trauma. And we're able to accept trauma with certain groups, like with soldiers, for instance - we understand that they face trauma and that trauma can be connected to things like depression or acts of violence later on in life.
Many people are unable to see friends and family as often as they'd like due to the cost of rail travel.
All my good friends are actors, really. It's different when you have a family, but they're still the people I meet most often. My best friend is Ian Hart, but then I've known him since I was five.
I don't want to get into splitting hairs. Trauma is trauma. I'm not in a position to quantify or qualify people's trauma.
Very depressed today. Unable to write a thing. Menacing gods. I feel outcast on a cold star, unable to feel anything but an awful helpless numbness.
After all, you can't truly be happy if you've never known pain. You can't truly feel joy if you've never felt heartbreak. You can't know what it's like to be filled unless you've been empty.
When you read enough stories about people who have been through different levels of trauma, and it doesn't matter what the history is, trauma is trauma, there's always this freeing of the spirit.
Trauma creates one of four types of people: victims, rescuers, or perps - and if you're really lucky and really strong and very willing and brave, survivors.
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