A Quote by Phil Knight
The thing that got us going early was the running boom. And then, I think, we rode the Jordan bit, which then kind of crossed us over into the pop culture.
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I’ve always thought that if comics are a part of pop culture [then] they should reflect pop culture, but a lot of the time comics, superhero comics especially, just feed on themselves. For me, comics should take from every bit of pop culture that they can; they’ve got the same DNA as music and film and TV and fashion and all of these things.
We should prepare to go over to the offensive. Our aim is to smash Lebanon, Trans-Jordan and Syria. The weak point is Lebanon, for the Moslem regime is artificial and easy for us to undermine. We shall establish a Christian state there and then we will smash the Arab Legion, eliminate Trans-Jordan; Syria will fall to us. We then bomb and move on and take Port Said, Alexandria and Sinai.
We should foster a culture in which people's private religious beliefs, including atheists and agnostics, are respected. And that's the kind of culture that I think allows all of us, then, to believe what we want. That's freedom of conscience. That's what our Constitution guarantees.
If something we think, see, hear, or do distances us from the Holy Ghost, then we should stop thinking, seeing, hearing, or doing that thing. If that which is intended to entertain, for example, alienates us from the Holy Spirit, then certainly that type of entertainment is not for us.
I've always been interested in pop culture. Some of my colleagues think of pop culture as beneath them, or there's the ivory tower and then there's everybody else, and I never could buy into that wall that's been put up by so many people over the decades and even the centuries.
We all, if we go with ego I go or you go ego thing, it's got to be free from all of that and just roll, because music is a spiritual thing. It's got to come through us and can't just hit us. It's got to be part of us that comes through us and goes to the people, and then they come back to us and give us more spirit.
Despite the war, and bombings, and all the big things that happen to us, the stuff of our lives is small and always will be. During a war it is different, but even then, it is perfectly possible to write novels during a major war, which are about those thing which endure. It is what makes us human and the thing which is going to keep going.
Boom and bust cycles are very difficult for businesses because you're hiring a bunch because you're planning for the future. And if the future is going to be very big, you need to hire people, or suddenly you go to boom to bust, then all of a sudden, you're kind of battening down the hatches and trying to sail, you know, through the storm, it's a different thing. So part of it is making good decisions about, well, how long is a boom cycle going to be, you know, don't plan on it going forever.
I didn't want to have to call a cab if I went to the supermarket. So I eventually got a bike, just a beach cruiser, and I rode that thing all over town. I rode it everywhere. I rode it in the rain, I rode it as much as I possibly could. Anytime I could afford the independence of the bike, I used the bike.
I wanted to do is kind of invoke that and then dive into that kind of repetition as a DJ thing because DJing you hear beats, like "boom, boom, boom, bap, bap." You know hip hop, house, techno. So how do you translate between those electronic motifs and the motifs of the landscape itself? That is what I wanted to go for.
At the height of the first great dot-com boom, Craig Kanarick, then in his early 30s, was running Razorfish, a Web design firm he'd co-founded with an old friend, which at its peak had 2,300 employees in nine countries.
I definitely think that a lot of these fighters should be taken care of long-term. But I feel like we're in that kind of situation where it's, like, the early NFL players. We're the ones that kind of set the standard, and then the next generation are probably going to get all the benefits from us growing the sport.
If you think that I got to come off the bench, then I am going to put you in a position to try to prove you wrong. Then after a while, it was kind of fun, and over the years it was my makeup.
I was just going at this career - boom, boom, boom! Then all of a sudden, at 38, Oh, my God - I forgot to get married!
People can be quite cynical. 'The Kills are too cool.' There's been an on-and-off relationship with the music press that loves us and then hates us then loves us again. I don't think any kind of press is reliable.
I think that breaking into the mainstream - it was just the right cycle of music for us in Blink-182. People were kind of over the boy-band, pop-princess, manufactured sensibility, and were excited for guitars and angst and energy and enthusiasm, which is our thing.
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