A Quote by Phil Lesh

When the band would leave the stage, and then the audience would just take over, and keep the groove goin'. — © Phil Lesh
When the band would leave the stage, and then the audience would just take over, and keep the groove goin'.
If I hadn't gone on the road with Patti LaBelle, then I wouldn't have brought Jay-Z on the road with me. When I saw her leave the stage to change clothes and allow the background singers to keep the show going, I said, 'That's something I wanna do.' So in the middle of my show, I would leave the stage and Jay-Z would come out and rhyme.
I've always been funny. I look back in the day, when I would take the mic from my dad in church and just start goin', at age six, the first time I did it. I think 14 was when I knew I wanted to do it and promote my own comedy shows at the church. Then, everyone would come.
The nature of music fandom and music fans is that, very often, they fall in love with a band or a particular artist, and they really would like... I'm talking generally; that's not everyone. But a vast majority of the fan base would prefer the band to keep making the same record and the same style of music over and over again.
Music is entertainment, but I would like to be able to inspire the audience in a way that makes them leave, saying, "Wow, I just left with something I didn't have before going into this concert." I hope that people can leave either a live show or listening to our band record with a sense of peace, where the music was a moment of escape.
I would want to create an amphitheater outside of California where I would play everyday, and then people would have to come to me. I would create all this crazy stage decor and film it. Or I would just stay inside my home and do films. I would be like the modern Maya Deren.
When the Eagles started, I was the best-known one in the band. I remember when Poco would play the Troubador, Glenn and Don would be in front of the stage, drooling and wishing they were in the band. But they'd never admit that now.
I love to work. When I was a kid, I would invite my friends over to play, then I would take them over to a recycling plant and we would haul glass all day. They hated me for this, but I thought it was fun.
I would rather write songs and then practice with the band. Just the band camaraderie is awesome and then writing music and then just listening to it and saying 'Dude, we made that music!' That's really fun.
It'll be with me like it was with Uncle Ned's ole ox, I reckon; he kep' a-goin' an' a-goin' till he died a-standin' up, an' even then they had to push him over.
I would join a band, learn from that band and be committed and passionate and bring my thing to the band. Then, when I felt like we were going to repeat ourselves, and I needed to learn more, I would go somewhere else.
I would do musicals in high school where there was dancing, and I would sing my verse, and then they would choreograph it so when I would take an eight-count to back up to the back of the stage while the other dancers covered me up because my body was totally... I was always in newborn-deer mode.
If you had asked me in 2005, when I had just joined Foreigner, that I would leave the band in 2007 to play with Led Zeppelin, I would have said you're nuts.
I thought for a long time that within art, that you would come up with an idea, you would labor over it intensely until you felt like it was done, and then when you finished it, that was the final stage. I started to realize that that's not actually the completion of it. The final stage of any kind of art is to really lose control over it and let it affect other people. You can't control the effect that it has on people, but you hope that it has some sort of reaction. You just hope that they're not indifferent to it, you wanna make people feel something, whether it's love or hate.
I would leave school and be bummed out for 15 minutes, and then I would take my mind of things by making music.
We're more of a touring band than we are anything else, because it kind of all makes sense when we're on the stage. For us, success in America would be having as many people come to see us as they do in the UK and Europe, and I think anything that would surpass that would just be a surprise to us.
The world of the stage and the performance on the stage usually does not tend to translate very well - it doesn't tend to hold very well - once cameras are on it; it's not like it's terrible or embarrassing or bad anything, but, I, as an actor, would perform a role differently for an audience than I would for just cameras.
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