A Quote by Phil Lesh
Because, first of all, we were becoming aware during that tour that there was a group of people that was following the band around, and they weren't interested in coming in to the shows, they were just interested in hangin' out outside and tryin' to break in.
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It used to be that if someone was to get involved in feminism, it was probably because they were already interested. They were already interested in feminism; they were already interested in being an activist, and they found their way to like a NOW meeting or to a consciousness-raising group or something like that.
I know I certainly wouldn't be writing books if it hadn't been for the feminist blogosphere, and I think that's a really amazing thing. And just the sheer power of outreach I think is incredible. It used to be that if someone was to get involved in feminism, it was probably because they were already interested. They were already interested in feminism; they were already interested in being an activist, and they found their way to like a NOW meeting or to a consciousness-raising group or something like that.
I think that one of the things that my dad was grappling with towards the end was how that shift had happened now and he would go on a book tour and do his shows and it would be you know fulfilling and good, but he wouldn't have the same impact that he used to and it wasn't because people were less interested. It's just because people are distracted by the million different sources of entertainment and information in front of them at any given time.
In the years between 2000 and 2004, I always got the feeling that people were just starting to hear about me and they were all late to the game. I'd be out playing shows for records that I recorded back in 1999 that were just coming out.
In the years between 2000 and 2004, I always got the feeling that people were just starting to hear about me, and they were all late to the game. I'd be out playing shows for records that I recorded back in 1999 that were just coming out.
My father was never interested in anything outside England. He was an Anglophile who was interested in things that, in his mind, were quintessentially English.
We kinda were a radio-rock band. We were still pretty technical, but I think the prog people hated us because we didn't do a bunch of weird time signatures... which are cool at times, but I'm more interested in progressive harmony.
We weren't like mates who decided to form a band. The other three met me because they were interested in being in the band that I was starting.
The 'Ponyboy' single is coming out next because it's the other bit of the pole of the record. Sort of everything I'm interested in happens on that axis - everything I'm interested in this material happens on that axis, and so I was really excited to tour 'It's Okay to Cry' and 'Ponyboy.'
For starters, I should just tell you that The Band was always my favorite band from the first moment that I heard the first note of "The Weight" on WNEW radio. It was when I was eight years old and Music From Big Pink came out. They were my favorite band always. They had a profound influence on me and on my becoming a musician.
If I were writing about Picasso and pointed out that he painted women because he was interested in the female form, that would seem like an obvious point. I don't know why people revolt when I point out that Rockwell painted the male figure and was interested in it.
The story of our band is that we were this relentless touring band in those early years. We were leaving day jobs and going off on the road and having fun and seeing the country for the first time. We were playing Chinese restaurants and basements and record stores and houses. We were crashing on floors and it was all new and exciting. It was like a vacation. It didn't feel like work. I couldn't wait to go on tour back then. I would be sitting at my day job or my apartment, just itching to go. There were so many adventures that were about to happen.
I made, like, five records as Dirty Projectors before I got out of college. And then I put a band together when I got interested in going on tour around that time.
When the first video was uploaded to YouTube, that's when we realized that people outside of Japan were interested. That's where we see Babymetal spreading, with people trying to mimic music or dance moves.
I've always been more interested in what happens after the bad thing has happened - the fallout of the bad thing, when people are already damaged. I'm less interested in seeing people when they're fine and following their journey to becoming damaged.
I'm less interested in how people are following each other and more interested in how they are following topics and tweets themselves. People are following more key words and concepts and more ideas and acting on those rather than individuals or organizations.
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