A Quote by Phil Lord

The hardest thing to do with an animated movie is to not make it feel synthetic: to feel like it's handmade, where you can sense the human hand in it. — © Phil Lord
The hardest thing to do with an animated movie is to not make it feel synthetic: to feel like it's handmade, where you can sense the human hand in it.
I'm interested in animation. I actually feel like I've learned so much about the process how to make an animated movie.
I'm a control freak, and anytime I direct something, I try to make it as homemade and handmade as possible. I feel like that's my favorite type of filmmaking, where you can see the seams, and it doesn't feel like a swiftly produced, whole seeky-eyed event.
Making duck calls is the hardest thing that we make, so there's skill involved, and they're all handmade.
I doubt if anyone of any tenderness or imagination can see the hand of a child and not be a little frightened of it. It is awful to think of the essential human energy moving so tiny a thing; it is like imagining that human nature could live in the wing of a butterfly or the leaf of a tree. When we look upon lives so human and yet so small... We feel the same kind of obligation to these creatures that a deity might feel...
I think "artistic" simply means there's more of the creator in the thing. Whether it's painting or song or movie or game, the creator puts more of themselves into the piece, so when the audience see it, they feel something real, they feel something human, they feel something that's like a person.
Almost any modern video camera can take stills, so there's always this fresh crop of kids that like making things and moving them by hand. So it's as much our desire to keep it going as what we believe is the public's desire for handmade stuff that really feels handmade, where they aren't being tricked into it being handmade.
I think, probably, the place that I feel I most belong is a movie set. It doesn't matter where it is in the world or who I'm making the movie with; that's the closest thing that I've got to a sense of placement. So I guess acting was a way of finding a home, if that makes sense.
I love everything. I don't see myself doing a really serious drama in the next five to ten years. I don't feel mature enough for that yet. But I'd like to make a pure action movie one day or maybe I can do a comedy again. I do like everything. But I don't feel ready for a musical or something like that. That's not my thing yet.
I've had my heart broken, and it's the hardest thing. Everyone says, 'Give it time, you'll feel better in the morning.' But you don't. You feel like it's never, ever going to heal - especially during the first few weeks.
The most important thing for me is the thing I strive for. But I also hope when I play my songs for people - adult, children, mostly children - that they feel mighty, they feel noble, they feel like warriors. And they feel like they can do anything in the world because that's how I feel.
I think the saddest people always try their hardest to make people happy because they know what it's like to feel absolutely worthless and they don't want anyone else to feel like that.
I took it really seriously... as serious as any actor could take a movie . I had so much fun doing movie Dragonball . But I take any part I do seriously because I feel a sense of responsibility to the young kids who have saved their money to go and see a movie. I feel it's my responsibility to make it the best I can, because I don't want to let anyone down.
I don't feel like I make sense in the world. I don't feel like I look right. I don't feel like I act right or do right. It's very frustrating to me that I just walk around with this all the time.
I feel like rock stars feel a sense of entitlement, whereas I just feel a sense of good fortune.
If the words make sense on paper, and make me feel good, and I feel like it will connect, that's all I'm worried about it.
I feel compelled to make art that on one hand reflects and sometimes almost creates like a sense of comfort when confronted with the strangeness of the world.
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