A Quote by Phil Morris
When you're have known to do voice-overs for Justice League or Legion of Super Heroes or DC/Marvel, you're kind of on that radar. When you do a ton of Star Treks over your career, then you're kind of on that radar in a way. But that doesn't mean you're going to continue getting that type of work. It just means when you do that type of work, you're more firmly tied to that genre.
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Think about it this way - if you have five senses, and they're all feeding into one place, kind of like a bottleneck, then now your mind has to make decisions of what is important and what is going to be above the radar and what's going to be below the radar.
People think coming in under the radar is like being a fighter pilot and actually coming in under the radar. It's a completely ridiculous idea to come in under the radar. It's the Olympics; everyone is on the radar here.
Yeah, it can be dangerous to kind of try and target your art to a certain type of people! You don't know who's going to gravitate towards your work, you never know what people are going get out of the work. So I try and just create music that feels true to my taste, and then see what happens.
I am never honored. My career is hilarious to me. I am either under the radar or over the radar.
It's like somehow my favorite filmmakers, you know, bounce between genres. Like if you look at a career of somebody like Soderbergh or Danny Boyle or the Coen's. I mean, it goes - there's no real through line other than just their style, but the type of genre or the type of subject matter seems to go all over.
I'm not like a 90-mph fastball kind of guy, but I can hit 70 on radar gun. I hit 70 one time on a radar guy at one of those pitch-and-throw kind of things. I have a pretty good arm for somebody who's not a baseball player.
I'm really not the party type. I more like to have friends over at the house and chill. I've never been the super party type. But for the 18th birthday, you got to party. And then 21 is going to be even bigger.
I am so out of the loop. I am never honored. My career is hilarious to me. I am either under the radar or over the radar.
I think what you do is, you keep your sensors open. And it's - the more that you do the job, the more you come to understand in a kind of intuitive way that you're always - you know, your radar is on. And the thing is going around and around and around. And it's not picking up any blips.
That's one of the challenges of acting. You can't expect that you're going to be successful, but you've got to put your heart and everything you have into it. Look at a guy like Ian McKellen, who is eighty or whatever, and he's just loving his work and you can see that in the work. That defines what type of actor you are. And what kind of people want to work with you. And whether you can do this job for a long, long time.
My career has been in a weird kind of like low-flying under the radar-kind of place. I never made it on "Saturday Night Live" where all my friends did.
Basically, a manager's job is to make other people more productive. What's one really good way to do that? Do the work that is getting in their way. Which means find out what kind of important work your developers dislike the most, and do it for them.
It's kind of bizarre, isn't it? Having that kind of attention. I'm not under the microscope in the same fashion that a lot of the other cast members are, so I think I can slide under the radar a little bit more, but getting any attention at all is completely new for me.
I knew how incredibly rich 'Valerian' was visually and the adventures the heroes go through. They are one of a kind. They have nothing that you can compare with DC or Marvel. They're not superheroes they're just heroes but they're also human beings. And there was also something there that I always liked. In these novels, there was a lot of humor.
The thing about theater that always and still kind of makes me edgy is that you work and work and work and work, and then you're just in performance mode, and then you have to just be on; the work is done, and then you just have to do it over and over again, so you're just constantly at that performance level.
There was a rivalry - and some pie-throwing. But that was probably because Gawker and Radar had more in common than they wanted to admit. Each was the other's future. Radar served up the exclusives I always envied. Gawker was actually comfortable on the web, in the medium Radar should have made its own.
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