A Quote by Phil Ochs
When they show the destruction of society on color TV, I want to be able to look out over Los Angeles and make sure they get it right.
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I don't live in Los Angeles. I work in Los Angeles, and even that - I audition in Los Angeles; I very rarely film in Los Angeles. I don't hang out with producers on my off-hours, so I don't even know what that world is like.
One of the interesting things about Los Angeles is that it's still supplying the whole of the world with its dreams through movies and songs and TV - often of an all-American family at the same time as the real Los Angeles is peopled by souls from Vietnam, Guatemala, and Korea who look nothing like the images being beamed out. I think all that is going to have to change and illusion is going to have to catch up with reality in that regard.
There's great stuff out there, but I prefer doing a TV show, going to work every day with the same people, and a lot of stuff is not being shot in Los Angeles and I don't really want to do that because my loved ones are here.
Make sure that when you look at your plate, it's a beautiful blank canvas to start with, and you want lots of color on there. You want to make sure you have whole grains and protein. It should not be beige in color; it should be green and bright red, and orange and yellow.
You can get stuff done in New York that you can't in Los Angeles. If you wanted to get some milk and get your shoes repaired and drop something off at the dry cleaner, that's an all-day adventure in Los Angeles. In New York, you can bang that out in half an hour.
Probably the person who said the only color in Los Angeles is green was right.
The first show I worked on was 'In Living Color.' I think 'The Daily Show' was the culmination of having that point of view - being able to look at this third rail in our society.
I didn't want to go to college. I wanted to move to Los Angeles right out of high school.
Los Angeles has been great to me, and I have a home there, and I'm so lucky I get to do what I do for a living. But I did not go down to Los Angeles really even with the intention of staying.
In 1983, I was working at an art gallery in Los Angeles and going to film school at Los Angeles City College. At that time, Jean-Michel Basquiat was a young painter and was visiting L.A. for his first show at the Larry Gagosian Gallery.
I owe my whole acting career to the fact that I'm a singer. I went out to Los Angeles and auditioned for a TV show called 'Fame L.A.' The original role was for a comedian, but they said I wasn't very funny, so they asked me, 'What else can you do?' So I played a singer.
Once every hundred years, the Los Angeles smog rolls away for a single night, leaving the air as clean as interstellar space. That way the gods can see if Los Angeles is still there. If it is, they roll the smog back so they won't have to look at it.
I'm sure that it's a universal experience, but I wonder if it gets exacerbated more in Los Angeles, where people are constantly looking over at the other people, going, 'Why don't I have that? I want that. Their table looks warmer.'
We've got to be able to have a conversation and recognize we're all Americans; we all want the best for this country. We may have some disagreements in terms of how to get there, but all of us want to make sure that our economy is strong, that jobs are growing. All of us want to make sure that people aren't bankrupt when they get sick. All of us want to make sure that young people can afford an education.
Sprawl is the American ideal way to develop. I believe that what we're developing in Denver is in no appreciable way different than what we're doing in Los Angeles - did in Los Angeles and are still doing. But I think we have developed the Los Angeles model of city-building, and I think it is unfortunate.
A contest was held in 1994 to rename the Los Angeles Convention and Exhibition Center after an extensive renovation and expansion. The winning name, chosen from over ten thousand entries, was the Los Angeles Convention Center.
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